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                           BOOK SEVEN: 1810 - 11


CHAPTER I


The Bible legend tells us that the absence of labor- idleness- was a
condition of the first man's blessedness before the Fall. Fallen man
has retained a love of idleness, but the curse weighs on the race
not only because we have to seek our bread in the sweat of our
brows, but because our moral nature is such that we cannot be both
idle and at ease. An inner voice tells us we are in the wrong if we
are idle. If man could find a state in which he felt that though
idle he was fulfilling his duty, he would have found one of the
conditions of man's primitive blessedness. And such a state of
obligatory and irreproachable idleness is the lot of a whole class-
the military. The chief attraction of military service has consisted
and will consist in this compulsory and irreproachable idleness.

Nicholas Rostov experienced this blissful condition to the full
when, after 1807, he continued to serve in the Pavlograd regiment,
in which he already commanded the squadron he had taken over from
Denisov.

Rostov had become a bluff, good-natured fellow, whom his Moscow
acquaintances would have considered rather bad form, but who was liked
and respected by his comrades, subordinates, and superiors, and was
well contented with his life. Of late, in 1809, he found in letters
from home more frequent complaints from his mother that their
affairs were falling into greater and greater disorder, and that it
was time for him to come back to gladden and comfort his old parents.

Reading these letters, Nicholas felt a dread of their wanting to
take him away from surroundings in which, protected from all the
entanglements of life, he was living so calmly and quietly. He felt
that sooner or later he would have to re-enter that whirlpool of life,
with its embarrassments and affairs to be straightened out, its
accounts with stewards, quarrels, and intrigues, its ties, society,
and with Sonya's love and his promise to her. It was all dreadfully
difficult and complicated; and he replied to his mother in cold,
formal letters in French, beginning: "My dear Mamma," and ending:
"Your obedient son," which said nothing of when he would return. In
1810 he received letters from his parents, in which they told him of
Natasha's engagement to Bolkonski, and that the wedding would be in
a year's time because the old prince made difficulties. This letter
grieved and mortified Nicholas. In the first place he was sorry that
Natasha, for whom he cared more than for anyone else in the family,
should be lost to the home; and secondly, from his hussar point of
view, he regretted not to have been there to show that fellow
Bolkonski that connection with him was no such great honor after
all, and that if he loved Natasha he might dispense with permission
from his dotard father. For a moment he hesitated whether he should
not apply for leave in order to see Natasha before she was married,
but then came the maneuvers, and considerations about Sonya and
about the confusion of their affairs, and Nicholas again put it off.
But in the spring of that year, he received a letter from his
mother, written without his father's knowledge, and that letter
persuaded him to return. She wrote that if he did not come and take
matters in hand, their whole property would be sold by auction and
they would all have to go begging. The count was so weak, and
trusted Mitenka so much, and was so good-natured, that everybody
took advantage of him and things were going from bad to worse. "For
God's sake, I implore you, come at once if you do not wish to make
me and the whole family wretched," wrote the countess.

This letter touched Nicholas. He had that common sense of a
matter-of-fact man which showed him what he ought to do.

The right thing now was, if not to retire from the service, at any
rate to go home on leave. Why he had to go he did not know; but
after his after-dinner nap he gave orders to saddle Mars, an extremely
vicious gray stallion that had not been ridden for a long time, and
when he returned with the horse all in a lather, he informed Lavrushka
(Denisov's servant who had remained with him) and his comrades who
turned up in the evening that he was applying for leave and was
going home. Difficult and strange as it was for him to reflect that he
would go away without having heard from the staff- and this interested
him extremely- whether he was promoted to a captaincy or would receive
the Order of St. Anne for the last maneuvers; strange as it was to
think that he would go away without having sold his three roans to the
Polish Count Golukhovski, who was bargaining for the horses Rostov had
betted he would sell for two thousand rubles; incomprehensible as it
seemed that the ball the hussars were giving in honor of the Polish
Mademoiselle Przazdziecka (out of rivalry to the Uhlans who had
given one in honor of their Polish Mademoiselle Borzozowska) would
take place without him- he knew he must go away from this good, bright
world to somewhere where everything was stupid and confused. A week
later he obtained his leave. His hussar comrades- not only those of
his own regiment, but the whole brigade- gave Rostov a dinner to which
the subscription was fifteen rubles a head, and at which there were
two bands and two choirs of singers. Rostov danced the Trepak with
Major Basov; the tipsy officers tossed, embraced, and dropped
Rostov; the soldiers of the third squadron tossed him too, and shouted
"hurrah!" and then they put him in his sleigh and escorted him as
far as the first post station.

During the first half of the journey- from Kremenchug to Kiev- all
Rostov's thoughts, as is usual in such cases, were behind him, with
the squadron; but when he had gone more than halfway he began to
forget his three roans and Dozhoyveyko, his quartermaster, and to
wonder anxiously how things would be at Otradnoe and what he would
find there. Thoughts of home grew stronger the nearer he approached
it- far stronger, as though this feeling of his was subject to the law
by which the force of attraction is in inverse proportion to the
square of the distance. At the last post station before Otradnoe he
gave the driver a three-ruble tip, and on arriving he ran
breathlessly, like a boy, up the steps of his home.

After the rapture of meeting, and after that odd feeling of
unsatisfied expectation- the feeling that "everything is just the
same, so why did I hurry?"- Nicholas began to settle down in his old
home world. His father and mother were much the same, only a little
older. What was new in them was a certain uneasiness and occasional
discord, which there used not to be, and which, as Nicholas soon found
out, was due to the bad state of their affairs. Sonya was nearly
twenty; she had stopped growing prettier and promised nothing more
than she was already, but that was enough. She exhaled happiness and
love from the time Nicholas returned, and the faithful, unalterable
love of this girl had a gladdening effect on him. Petya and Natasha
surprised Nicholas most. Petya was a big handsome boy of thirteen,
merry, witty, and mischievous, with a voice that was already breaking.
As for Natasha, for a long while Nicholas wondered and laughed
whenever he looked at her.

"You're not the same at all," he said.

"How? Am I uglier?"

"On the contrary, but what dignity? A princess!" he whispered to
her.

"Yes, yes, yes!" cried Natasha, joyfully.

She told him about her romance with Prince Andrew and of his visit
to Otradnoe and showed him his last letter.

"Well, are you glad?" Natasha asked. "I am so tranquil and happy
now."

"Very glad," answered Nicholas. "He is an excellent fellow.... And
are you very much in love?"

"How shall I put it?" replied Natasha. "I was in love with Boris,
with my teacher, and with Denisov, but this is quite different. I feel
at peace and settled. I know that no better man than he exists, and
I am calm and contented now. Not at all as before."

Nicholas expressed his disapproval of the postponement of the
marriage for a year; but Natasha attacked her brother with
exasperation, proving to him that it could not be otherwise, and
that it would be a bad thing to enter a family against the father's
will, and that she herself wished it so.

"You don't at all understand," she said.

Nicholas was silent and agreed with her.

Her brother often wondered as he looked at her. She did not seem
at all like a girl in love and parted from her affianced husband.
She was even-tempered and calm and quite as cheerful as of old. This
amazed Nicholas and even made him regard Bolkonski's courtship
skeptically. He could not believe that her fate was sealed, especially
as he had not seen her with Prince Andrew. It always seemed to him
that there was something not quite right about this intended marriage.

"Why this delay? Why no betrothal?" he thought. Once, when he had
touched on this topic with his mother, he discovered, to his
surprise and somewhat to his satisfaction, that in the depth of her
soul she too had doubts about this marriage.

"You see he writes," said she, showing her son a letter of Prince
Andrew's, with that latent grudge a mother always has in regard to a
daughter's future married happiness, "he writes that he won't come
before December. What can be keeping him? Illness, probably! His
health is very delicate. Don't tell Natasha. And don't attach
importance to her being so bright: that's because she's living through
the last days of her girlhood, but I know what she is like every
time we receive a letter from him! However, God grant that
everything turns out well!" (She always ended with these words.) "He
is an excellent man!"


CHAPTER II


After reaching home Nicholas was at first serious and even dull.
He was worried by the impending necessity of interfering in the stupid
business matters for which his mother had called him home. To throw
off this burden as quickly as possible, on the third day after his
arrival he went, angry and scowling and without answering questions as
to where he was going, to Mitenka's lodge and demanded an account of
everything. But what an account of everything might be Nicholas knew
even less than the frightened and bewildered Mitenka. The conversation
and the examination of the accounts with Mitenka did not last long.
The village elder, a peasant delegate, and the village clerk, who were
waiting in the passage, heard with fear and delight first the young
count's voice roaring and snapping and rising louder and louder, and
then words of abuse, dreadful words, ejaculated one after the other.

"Robber!... Ungrateful wretch!... I'll hack the dog to pieces! I'm
not my father!... Robbing us!..." and so on.

Then with no less fear and delight they saw how the young count, red
in the face and with bloodshot eyes, dragged Mitenka out by the scruff
of the neck and applied his foot and knee to him behind with great
agility at convenient moments between the words, shouting, "Be off!
Never let me see your face here again, you villain!"

Mitenka flew headlong down the six steps and ran away into the
shrubbery. (This shrubbery was a well-known haven of refuge for
culprits at Otradnoe. Mitenka himself, returning tipsy from the
town, used to hide there, and many of the residents at Otradnoe,
hiding from Mitenka, knew of its protective qualities.)

Mitenka's wife and sisters-in-law thrust their heads and
frightened faces out of the door of a room where a bright samovar
was boiling and where the steward's high bedstead stood with its
patchwork quilt.

The young count paid no heed to them, but, breathing hard, passed by
with resolute strides and went into the house.

The countess, who heard at once from the maids what had happened
at the lodge, was calmed by the thought that now their affairs would
certainly improve, but on the other hand felt anxious as to the effect
this excitement might have on her son. She went several times to his
door on tiptoe and listened, as he lighted one pipe after another.

Next day the old count called his son aside and, with an embarrassed
smile, said to him:

"But you know, my dear boy, it's a pity you got excited! Mitenka has
told me all about it."

"I knew," thought Nicholas, "that I should never understand anything
in this crazy world."

"You were angry that he had not entered those 700 rubles. But they
were carried forward- and you did not look at the other page."

"Papa, he is a blackguard and a thief! I know he is! And what I have
done, I have done; but, if you like, I won't speak to him again."

"No, my dear boy" (the count, too, felt embarrassed. He knew he
had mismanaged his wife's property and was to blame toward his
children, but he did not know how to remedy it). "No, I beg you to
attend to the business. I am old. I..."

"No, Papa. Forgive me if I have caused you unpleasantness. I
understand it all less than you do."

"Devil take all these peasants, and money matters, and carryings
forward from page to page," he thought. "I used to understand what a
'corner' and the stakes at cards meant, but carrying forward to
another page I don't understand at all," said he to himself, and after
that he did not meddle in business affairs. But once the countess
called her son and informed him that she had a promissory note from
Anna Mikhaylovna for two thousand rubles, and asked him what he
thought of doing with it.

"This," answered Nicholas. "You say it rests with me. Well, I
don't like Anna Mikhaylovna and I don't like Boris, but they were
our friends and poor. Well then, this!" and he tore up the note, and
by so doing caused the old countess to weep tears of joy. After
that, young Rostov took no further part in any business affairs, but
devoted himself with passionate enthusiasm to what was to him a new
pursuit- the chase- for which his father kept a large establishment.


CHAPTER III


The weather was already growing wintry and morning frosts
congealed an earth saturated by autumn rains. The verdure had
thickened and its bright green stood out sharply against the
brownish strips of winter rye trodden down by the cattle, and
against the pale-yellow stubble of the spring buckwheat. The wooded
ravines and the copses, which at the end of August had still been
green islands amid black fields and stubble, had become golden and
bright-red islands amid the green winter rye. The hares had already
half changed their summer coats, the fox cubs were beginning to
scatter, and the young wolves were bigger than dogs. It was the best
time of the year for the chase. The hounds of that ardent young
sportsman Rostov had not merely reached hard winter condition, but
were so jaded that at a meeting of the huntsmen it was decided to give
them a three days' rest and then, on the sixteenth of September, to go
on a distant expedition, starting from the oak grove where there was
an undisturbed litter of wolf cubs.

All that day the hounds remained at home. It was frosty and the
air was sharp, but toward evening the sky became overcast and it began
to thaw. On the fifteenth, when young Rostov, in his dressing gown,
looked out of the window, he saw it was an unsurpassable morning for
hunting: it was as if the sky were melting and sinking to the earth
without any wind. The only motion in the air was that of the dripping,
microscopic particles of drizzling mist. The bare twigs in the
garden were hung with transparent drops which fell on the freshly
fallen leaves. The earth in the kitchen garden looked wet and black
and glistened like poppy seed and at a short distance merged into
the dull, moist veil of mist. Nicholas went out into the wet and muddy
porch. There was a smell of decaying leaves and of dog. Milka, a
black-spotted, broad-haunched bitch with prominent black eyes, got
up on seeing her master, stretched her hind legs, lay down like a
hare, and then suddenly jumped up and licked him right on his nose and
mustache. Another borzoi, a dog, catching sight of his master from the
garden path, arched his back and, rushing headlong toward the porch
with lifted tail, began rubbing himself against his legs.

"O-hoy!" came at that moment, that inimitable huntsman's call
which unites the deepest bass with the shrillest tenor, and round
the corner came Daniel the head huntsman and head kennelman, a gray,
wrinkled old man with hair cut straight over his forehead, Ukrainian
fashion, a long bent whip in his hand, and that look of independence
and scorn of everything that is only seen in huntsmen. He doffed his
Circassian cap to his master and looked at him scornfully. This
scorn was not offensive to his master. Nicholas knew that this Daniel,
disdainful of everybody and who considered himself above them, was all
the same his serf and huntsman.

"Daniel!" Nicholas said timidly, conscious at the sight of the
weather, the hounds, and the huntsman that he was being carried away
by that irresistible passion for sport which makes a man forget all
his previous resolutions, as a lover forgets in the presence of his
mistress.

"What orders, your excellency?" said the huntsman in his deep
bass, deep as a proto-deacon's and hoarse with hallooing- and two
flashing black eyes gazed from under his brows at his master, who
was silent. "Can you resist it?" those eyes seemed to be asking.

"It's a good day, eh? For a hunt and a gallop, eh?" asked
Nicholas, scratching Milka behind the ears.

Daniel did not answer, but winked instead.

"I sent Uvarka at dawn to listen," his bass boomed out after a
minute's pause. "He says she's moved them into the Otradnoe enclosure.
They were howling there." (This meant that the she-wolf, about whom
they both knew, had moved with her cubs to the Otradnoe copse, a small
place a mile and a half from the house.)

"We ought to go, don't you think so?" said Nicholas. "Come to me
with Uvarka."

"As you please."

"Then put off feeding them."

"Yes, sir."

Five minutes later Daniel and Uvarka were standing in Nicholas'
big study. Though Daniel was not a big man, to see him in a room was
like seeing a horse or a bear on the floor among the furniture and
surroundings of human life. Daniel himself felt this, and as usual
stood just inside the door, trying to speak softly and not move, for
fear of breaking something in the master's apartment, and he
hastened to say all that was necessary so as to get from under that
ceiling, out into the open under the sky once more.

Having finished his inquiries and extorted from Daniel an opinion
that the hounds were fit (Daniel himself wished to go hunting),
Nicholas ordered the horses to be saddled. But just as Daniel was
about to go Natasha came in with rapid steps, not having done up her
hair or finished dressing and with her old nurse's big shawl wrapped
round her. Petya ran in at the same time.

"You are going?" asked Natasha. "I knew you would! Sonya said you
wouldn't go, but I knew that today is the sort of day when you
couldn't help going."

"Yes, we are going," replied Nicholas reluctantly, for today, as
he intended to hunt seriously, he did not want to take Natasha and
Petya. "We are going, but only wolf hunting: it would be dull for
you."

"You know it is my greatest pleasure," said Natasha. "It's not fair;
you are going by yourself, are having the horses saddled and said
nothing to us about it."

"'No barrier bars a Russian's path'- we'll go!" shouted Petya.

"But you can't. Mamma said you mustn't," said Nicholas to Natasha.

"Yes, I'll go. I shall certainly go," said Natasha decisively.
"Daniel, tell them to saddle for us, and Michael must come with my
dogs," she added to the huntsman.

It seemed to Daniel irksome and improper to be in a room at all, but
to have anything to do with a young lady seemed to him impossible.
He cast down his eyes and hurried out as if it were none of his
business, careful as he went not to inflict any accidental injury on
the young lady.


CHAPTER IV


The old count, who had always kept up an enormous hunting
establishment but had now handed it all completely over to his son's
care, being in very good spirits on this fifteenth of September,
prepared to go out with the others.

In an hour's time the whole hunting party was at the porch.
Nicholas, with a stern and serious air which showed that now was no
time for attending to trifles, went past Natasha and Petya who were
trying to tell him something. He had a look at all the details of
the hunt, sent a pack of hounds and huntsmen on ahead to find the
quarry, mounted his chestnut Donets, and whistling to his own leash of
borzois, set off across the threshing ground to a field leading to the
Otradnoe wood. The old count's horse, a sorrel gelding called
Viflyanka, was led by the groom in attendance on him, while the
count himself was to drive in a small trap straight to a spot reserved
for him.

They were taking fifty-four hounds, with six hunt attendants and
whippers-in. Besides the family, there were eight borzoi kennelmen and
more than forty borzois, so that, with the borzois on the leash
belonging to members of the family, there were about a hundred and
thirty dogs and twenty horsemen.

Each dog knew its master and its call. Each man in the hunt knew his
business. his place, what he had to do. As soon as they had passed the
fence they all spread out evenly and quietly, without noise or talk,
along the road and field leading to the Otradnoe covert.

The horses stepped over the field as over a thick carpet, now and
then splashing into puddles as they crossed a road. The misty sky
still seemed to descend evenly and imperceptibly toward the earth, the
air was still, warm, and silent. Occasionally the whistle of a
huntsman, the snort of a horse, the crack of a whip, or the whine of a
straggling hound could be heard.

When they had gone a little less than a mile, five more riders
with dogs appeared out of the mist, approaching the Rostovs. In
front rode a fresh-looking, handsome old man with a large gray
mustache.

"Good morning, Uncle!" said Nicholas, when the old man drew near.

"That's it. Come on!... I was sure of it," began "Uncle." (He was
a distant relative of the Rostovs', a man of small means, and their
neighbor.) "I knew you wouldn't be able to resist it and it's a good
thing you're going. That's it! Come on! (This was "Uncle's" favorite
expression.) "Take the covert at once, for my Girchik says the Ilagins
are at Korniki with their hounds. That's it. Come on!... They'll
take the cubs from under your very nose."

"That's where I'm going. Shall we join up our packs?" asked
Nicholas.

The hounds were joined into one pack, and "Uncle" and Nicholas
rode on side by side. Natasha, muffled up in shawls which did not hide
her eager face and shining eyes, galloped up to them. She was followed
by Petya who always kept close to her, by Michael, a huntsman, and
by a groom appointed to look after her. Petya, who was laughing,
whipped and pulled at his horse. Natasha sat easily and confidently on
her black Arabchik and reined him in without effort with a firm hand.

"Uncle" looked round disapprovingly at Petya and Natasha. He did not
like to combine frivolity with the serious business of hunting.

"Good morning, Uncle! We are going too!" shouted Petya.

"Good morning, good morning! But don't go overriding the hounds,"
said "Uncle" sternly.

"Nicholas, what a fine dog Trunila is! He knew me," said Natasha,
referring to her favorite hound.

"In the first place, Trunila is not a 'dog,' but a harrier," thought
Nicholas, and looked sternly at his sister, trying to make her feel
the distance that ought to separate them at that moment. Natasha
understood it.

"You mustn't think we'll be in anyone's way, Uncle," she said.
"We'll go to our places and won't budge."

"A good thing too, little countess," said "Uncle," "only mind you
don't fall off your horse," he added, "because- that's it, come on!-
you've nothing to hold on to."

The oasis of the Otradnoe covert came in sight a few hundred yards
off, the huntsmen were already nearing it. Rostov, having finally
settled with "Uncle" where they should set on the hounds, and having
shown Natasha where she was to stand- a spot where nothing could
possibly run out- went round above the ravine.

"Well, nephew, you're going for a big wolf," said "Uncle." "Mind and
don't let her slip!"

"That's as may happen," answered Rostov. "Karay, here!" he
shouted, answering "Uncle's" remark by this call to his borzoi.
Karay was a shaggy old dog with a hanging jowl, famous for having
tackled a big wolf unaided. They all took up their places.

The old count, knowing his son's ardor in the hunt, hurried so as
not to be late, and the hunstmen had not yet reached their places when
Count Ilya Rostov, cheerful, flushed, and with quivering cheeks, drove
up with his black horses over the winter rye to the place reserved for
him, where a wolf might come out. Having straightened his coat and
fastened on his hunting knives and horn, he mounted his good, sleek,
well-fed, and comfortable horse, Viflyanka, which was turning gray,
like himself. His horses and trap were sent home. Count Ilya Rostov,
though not at heart a keen sportsman, knew the rules of the hunt well,
and rode to the bushy edge of the road where he was to stand, arranged
his reins, settled himself in the saddle, and, feeling that he was
ready, looked about with a smile.

Beside him was Simon Chekmar, his personal attendant, an old
horseman now somewhat stiff in the saddle. Chekmar held in leash three
formidable wolfhounds, who had, however, grown fat like their master
and his horse. Two wise old dogs lay down unleashed. Some hundred
paces farther along the edge of the wood stood Mitka, the count's
other groom, a daring horseman and keen rider to hounds. Before the
hunt, by old custom, the count had drunk a silver cupful of mulled
brandy, taken a snack, and washed it down with half a bottle of his
favorite Bordeaux.

He was somewhat flushed with the wine and the drive. His eyes were
rather moist and glittered more than usual, and as he sat in his
saddle, wrapped up in his fur coat, he looked like a child taken out
for an outing.

The thin, hollow-cheeked Chekmar, having got everything ready,
kept glancing at his master with whom he had lived on the best of
terms for thirty years, and understanding the mood he was in
expected a pleasant chat. A third person rode up circumspectly through
the wood (it was plain that he had had a lesson) and stopped behind
the count. This person was a gray-bearded old man in a woman's
cloak, with a tall peaked cap on his head. He was the buffoon, who
went by a woman's name, Nastasya Ivanovna.

"Well, Nastasya Ivanovna!" whispered the count, winking at him.
"If you scare away the beast, Daniel'll give it you!"

"I know a thing or two myself!" said Nastasya Ivanovna.

"Hush!" whispered the count and turned to Simon. "Have you seen
the young countess?" he asked. "Where is she?"

"With young Count Peter, by the Zharov rank grass," answered
Simon, smiling. "Though she's a lady, she's very fond of hunting."

"And you're surprised at the way she rides, Simon, eh?" said the
count. "She's as good as many a man!"

"Of course! It's marvelous. So bold, so easy!"

"And Nicholas? Where is he? By the Lyadov upland, isn't he?"

"Yes, sir. He knows where to stand. He understands the matter so
well that Daniel and I are often quite astounded," said Simon, well
knowing what would please his master.

"Rides well, eh? And how well he looks on his horse, eh?"

"A perfect picture! How he chased a fox out of the rank grass by the
Zavarzinsk thicket the other day! Leaped a fearful place; what a sight
when they rushed from the covert... the horse worth a thousand
rubles and the rider beyond all price! Yes, one would have to search
far to find another as smart."

"To search far..." repeated the count, evidently sorry Simon had not
said more. "To search far," he said, turning back the skirt of his
coat to get at his snuffbox.

"The other day when he came out from Mass in full uniform, Michael
Sidorych..." Simon did not finish, for on the still air he had
distinctly caught the music of the hunt with only two or three
hounds giving tongue. He bent down his head and listened, shaking a
warning finger at his master. "They are on the scent of the cubs...
" he whispered, "straight to the Lyadov uplands."

The count, forgetting to smooth out the smile on his face, looked
into the distance straight before him, down the narrow open space,
holding the snuffbox in his hand but not taking any. After the cry
of the hounds came the deep tones of the wolf call from Daniel's
hunting horn; the pack joined the first three hounds and they could be
heard in full cry, with that peculiar lift in the note that
indicates that they are after a wolf. The whippers-in no longer set on
the hounds, but changed to the cry of ulyulyu, and above the others
rose Daniel's voice, now a deep bass, now piercingly shrill. His voice
seemed to fill the whole wood and carried far beyond out into the open
field.

After listening a few moments in silence, the count and his
attendant convinced themselves that the hounds had separated into
two packs: the sound of the larger pack, eagerly giving tongue,
began to die away in the distance, the other pack rushed by the wood
past the count, and it was with this that Daniel's voice was heard
calling ulyulyu. The sounds of both packs mingled and broke apart
again, but both were becoming more distant.

Simon sighed and stooped to straighten the leash a young borzoi
had entangled; the count too sighed and, noticing the snuffbox in
his hand, opened it and took a pinch. "Back!" cried Simon to a
borzoi that was pushing forward out of the wood. The count started and
dropped the snuffbox. Nastasya Ivanovna dismounted to pick it up.
The count and Simon were looking at him.

Then, unexpectedly, as often happens, the sound of the hunt suddenly
approached, as if the hounds in full cry and Daniel ulyulyuing were
just in front of them.

The count turned and saw on his right Mitka staring at him with eyes
starting out of his head, raising his cap and pointing before him to
the other side.

"Look out!" he shouted, in a voice plainly showing that he had
long fretted to utter that word, and letting the borzois slip he
galloped toward the count.

The count and Simon galloped out of the wood and saw on their left a
wolf which, softly swaying from side to side, was coming at a quiet
lope farther to the left to the very place where they were standing.
The angry borzois whined and getting free of the leash rushed past the
horses' feet at the wolf.

The wolf paused, turned its heavy forehead toward the dogs
awkwardly, like a man suffering from the quinsy, and, still slightly
swaying from side to side, gave a couple of leaps and with a swish
of its tail disappeared into the skirt of the wood. At the same
instant, with a cry like a wail, first one hound, then another, and
then another, sprang helter-skelter from the wood opposite and the
whole pack rushed across the field toward the very spot where the wolf
had disappeared. The hazel bushes parted behind the hounds and
Daniel's chestnut horse appeared, dark with sweat. On its long back
sat Daniel, hunched forward, capless, his disheveled gray hair hanging
over his flushed, perspiring face.

"Ulyulyulyu! ulyulyu!..." he cried. When he caught sight of the
count his eyes flashed lightning.

"Blast you!" he shouted, holding up his whip threateningly at the
count.

"You've let the wolf go!... What sportsmen! and as if scorning to
say more to the frightened and shamefaced count, he lashed the heaving
flanks of his sweating chestnut gelding with all the anger the count
had aroused and flew off after the hounds. The count, like a
punished schoolboy, looked round, trying by a smile to win Simon's
sympathy for his plight. But Simon was no longer there. He was
galloping round by the bushes while the field was coming up on both
sides, all trying to head the wolf, but it vanished into the wood
before they could do so.


CHAPTER V


Nicholas Rostov meanwhile remained at his post, waiting for the
wolf. By the way the hunt approached and receded, by the cries of
the dogs whose notes were familiar to him, by the way the voices of
the huntsmen approached, receded, and rose, he realized what was
happening at the copse. He knew that young and old wolves were
there, that the hounds had separated into two packs, that somewhere
a wolf was being chased, and that something had gone wrong. He
expected the wolf to come his way any moment. He made thousands of
different conjectures as to where and from what side the beast would
come and how he would set upon it. Hope alternated with despair.
Several times he addressed a prayer to God that the wolf should come
his way. He prayed with that passionate and shame-faced feeling with
which men pray at moments of great excitement arising from trivial
causes. "What would it be to Thee to do this for me?" he said to
God. "I know Thou art great, and that it is a sin to ask this of Thee,
but for God's sake do let the old wolf come my way and let Karay
spring at it- in sight of 'Uncle' who is watching from over there- and
seize it by the throat in a death grip!" A thousand times during
that half-hour Rostov cast eager and restless glances over the edge of
the wood, with the two scraggy oaks rising above the aspen undergrowth
and the gully with its water-worn side and "Uncle's" cap just
visible above the bush on his right.

"No, I shan't have such luck," thought Rostov, "yet what wouldn't it
be worth! It is not to be! Everywhere, at cards and in war, I am
always unlucky." Memories of Austerlitz and of Dolokhov flashed
rapidly and clearly through his mind. "Only once in my life to get
an old wolf, I want only that!" thought he, straining eyes and ears
and looking to the left and then to the right and listening to the
slightest variation of note in the cries of the dogs.

Again he looked to the right and saw something running toward him
across the deserted field. "No, it can't be!" thought Rostov, taking a
deep breath, as a man does at the coming of something long hoped
for. The height of happiness was reached- and so simply, without
warning, or noise, or display, that Rostov could not believe his
eyes and remained in doubt for over a second. The wolf ran forward and
jumped heavily over a gully that lay in her path. She was an old
animal with a gray back and big reddish belly. She ran without
hurry, evidently feeling sure that no one saw her. Rostov, holding his
breath, looked round at the borzois. They stood or lay not seeing
the wolf or understanding the situation. Old Karay had turned his head
and was angrily searching for fleas, baring his yellow teeth and
snapping at his hind legs.

"Ulyulyulyu!" whispered Rostov, pouting his lips. The borzois jumped
up, jerking the rings of the leashes and pricking their ears. Karay
finished scratching his hindquarters and, cocking his ears, got up
with quivering tail from which tufts of matted hair hung down.

"Shall I loose them or not?" Nicholas asked himself as the wolf
approached him coming from the copse. Suddenly the wolf's whole
physiognomy changed: she shuddered, seeing what she had probably never
seen before- human eyes fixed upon her- and turning her head a
little toward Rostov, she paused.

"Back or forward? Eh, no matter, forward..." the wolf seemed to
say to herself, and she moved forward without again looking round
and with a quiet, long, easy yet resolute lope.

"Ulyulyu!" cried Nicholas, in a voice not his own, and of its own
accord his good horse darted headlong downhill, leaping over gullies
to head off the wolf, and the borzois passed it, running faster still.
Nicholas did not hear his own cry nor feel that he was galloping,
nor see the borzois, nor the ground over which he went: he saw only
the wolf, who, increasing her speed, bounded on in the same
direction along the hollow. The first to come into view was Milka,
with her black markings and powerful quarters, gaining upon the
wolf. Nearer and nearer... now she was ahead of it; but the wolf
turned its head to face her, and instead of putting on speed as she
usually did Milka suddenly raised her tail and stiffened her forelegs.

"Ulyulyulyulyu!" shouted Nicholas.

The reddish Lyubim rushed forward from behind Milka, sprang
impetuously at the wolf, and seized it by its hindquarters, but
immediately jumped aside in terror. The wolf crouched, gnashed her
teeth, and again rose and bounded forward, followed at the distance of
a couple of feet by all the borzois, who did not get any closer to
her.

"She'll get away! No, it's impossible!" thought Nicholas, still
shouting with a hoarse voice.

"Karay, ulyulyu!..." he shouted, looking round for the old borzoi
who was now his only hope. Karay, with all the strength age had left
him, stretched himself to the utmost and, watching the wolf,
galloped heavily aside to intercept it. But the quickness of the
wolf's lope and the borzoi's slower pace made it plain that Karay
had miscalculated. Nicholas could already see not far in front of
him the wood where the wolf would certainly escape should she reach
it. But, coming toward him, he saw hounds and a huntsman galloping
almost straight at the wolf. There was still hope. A long, yellowish
young borzoi, one Nicholas did not know, from another leash, rushed
impetuously at the wolf from in front and almost knocked her over. But
the wolf jumped up more quickly than anyone could have expected and,
gnashing her teeth, flew at the yellowish borzoi, which, with a
piercing yelp, fell with its head on the ground, bleeding from a
gash in its side.

"Karay? Old fellow!..." wailed Nicholas.

Thanks to the delay caused by this crossing of the wolf's path,
the old dog with its felted hair hanging from its thigh was within
five paces of it. As if aware of her danger, the wolf turned her
eyes on Karay, tucked her tail yet further between her legs, and
increased her speed. But here Nicholas only saw that something
happened to Karay- the borzoi was suddenly on the wolf, and they
rolled together down into a gully just in front of them.

That instant, when Nicholas saw the wolf struggling in the gully
with the dogs, while from under them could be seen her gray hair and
outstretched hind leg and her frightened choking head, with her ears
laid back (Karay was pinning her by the throat), was the happiest
moment of his life. With his hand on his saddlebow, he was ready to
dismount and stab the wolf, when she suddenly thrust her head up
from among that mass of dogs, and then her forepaws were on the edge
of the gully. She clicked her teeth (Karay no longer had her by the
throat), leaped with a movement of her hind legs out of the gully, and
having disengaged herself from the dogs, with tail tucked in again,
went forward. Karay, his hair bristling, and probably bruised or
wounded, climbed with difficulty out of the gully.

"Oh my God! Why?" Nicholas cried in despair.

"Uncle's" huntsman was galloping from the other side across the
wolf's path and his borzois once more stopped the animal's advance.
She was again hemmed in.

Nicholas and his attendant, with "Uncle" and his huntsman, were
all riding round the wolf, crying "ulyulyu!" shouting and preparing to
dismount each moment that the wolf crouched back, and starting forward
again every time she shook herself and moved toward the wood where she
would be safe.

Already, at the beginning of this chase, Daniel, hearing the
ulyulyuing, had rushed out from the wood. He saw Karay seize the wolf,
and checked his horse, supposing the affair to be over. But when he
saw that the horsemen did not dismount and that the wolf shook herself
and ran for safety, Daniel set his chestnut galloping, not at the wolf
but straight toward the wood, just as Karay had run to cut the
animal off. As a result of this, he galloped up to the wolf just
when she had been stopped a second time by "Uncle's" borzois.

Daniel galloped up silently, holding a naked dagger in his left hand
and thrashing the laboring sides of his chestnut horse with his whip
as if it were a flail.

Nicholas neither saw nor heard Daniel until the chestnut,
breathing heavily, panted past him, and he heard the fall of a body
and saw Daniel lying on the wolf's back among the dogs, trying to
seize her by the ears. It was evident to the dogs, the hunters, and to
the wolf herself that all was now over. The terrified wolf pressed
back her ears and tried to rise, but the borzois stuck to her.
Daniel rose a little, took a step, and with his whole weight, as if
lying down to rest, fell on the wolf, seizing her by the ears.
Nicholas was about to stab her, but Daniel whispered, "Don't! We'll
gag her!" and, changing his position, set his foot on the wolf's neck.
A stick was thrust between her jaws and she was fastened with a leash,
as if bridled, her legs were bound together, and Daniel rolled her
over once or twice from side to side.

With happy, exhausted faces, they laid the old wolf, alive, on a
shying and snorting horse and, accompanied by the dogs yelping at her,
took her to the place where they were all to meet. The hounds had
killed two of the cubs and the borzois three. The huntsmen assembled
with their booty and their stories, and all came to look at the
wolf, which, with her broad-browed head hanging down and the bitten
stick between her jaws, gazed with great glassy eyes at this crowd
of dogs and men surrounding her. When she was touched, she jerked
her bound legs and looked wildly yet simply at everybody. Old Count
Rostov also rode up and touched the wolf.

"Oh, what a formidable one!" said he. "A formidable one, eh?" he
asked Daniel, who was standing near.

"Yes, your excellency," answered Daniel, quickly doffing his cap.

The count remembered the wolf he had let slip and his encounter with
Daniel.

"Ah, but you are a crusty fellow, friend!" said the count.

For sole reply Daniel gave him a shy, childlike, meek, and amiable
smile.


CHAPTER VI


The old count went home, and Natasha and Petya promised to return
very soon, but as it was still early the hunt went farther. At
midday they put the hounds into a ravine thickly overgrown with
young trees. Nicholas standing in a fallow field could see all his
whips.

Facing him lay a field of winter rye, there his own huntsman stood
alone in a hollow behind a hazel bush. The hounds had scarcely been
loosed before Nicholas heard one he knew, Voltorn, giving tongue at
intervals; other hounds joined in, now pausing and now again giving
tongue. A moment later he heard a cry from the wooded ravine that a
fox had been found, and the whole pack, joining together, rushed along
the ravine toward the ryefield and away from Nicholas.

He saw the whips in their red caps galloping along the edge of the
ravine, he even saw the hounds, and was expecting a fox to show itself
at any moment on the ryefield opposite.

The huntsman standing in the hollow moved and loosed his borzois,
and Nicholas saw a queer, short-legged red fox with a fine brush going
hard across the field. The borzois bore down on it.... Now they drew
close to the fox which began to dodge between the field in sharper and
sharper curves, trailing its brush, when suddenly a strange white
borzoi dashed in followed by a black one, and everything was in
confusion; the borzois formed a star-shaped figure, scarcely swaying
their bodies and with tails turned away from the center of the
group. Two huntsmen galloped up to the dogs; one in a red cap, the
other, a stranger, in a green coat.

"What's this?" thought Nicholas. "Where's that huntsman from? He
is not 'Uncle's' man."

The huntsmen got the fox, but stayed there a long time without
strapping it to the saddle. Their horses, bridled and with high
saddles, stood near them and there too the dogs were lying. The
huntsmen waved their arms and did something to the fox. Then from that
spot came the sound of a horn, with the signal agreed on in case of
a fight.

"That's Ilagin's huntsman having a row with our Ivan," said
Nicholas' groom.

Nicholas sent the man to call Natasha and Petya to him, and rode
at a footpace to the place where the whips were getting the hounds
together. Several of the field galloped to the spot where the fight
was going on.

Nicholas dismounted, and with Natasha and Petya, who had ridden
up, stopped near the hounds, waiting to see how the matter would
end. Out of the bushes came the huntsman who had been fighting and
rode toward his young master, with the fox tied to his crupper.
While still at a distance he took off his cap and tried to speak
respectfully, but he was pale and breathless and his face was angry.
One of his eyes was black, but he probably was not even aware of it.

"What has happened?" asked Nicholas.

"A likely thing, killing a fox our dogs had hunted! And it was my
gray bitch that caught it! Go to law, indeed!... He snatches at the
fox! I gave him one with the fox. Here it is on my saddle! Do you want
a taste of this?..." said the huntsman, pointing to his dagger and
probably imagining himself still speaking to his foe.

Nicholas, not stopping to talk to the man, asked his sister and
Petya to wait for him and rode to the spot where the enemy's,
Ilagin's, hunting party was.

The victorious huntsman rode off to join the field, and there,
surrounded by inquiring sympathizers, recounted his exploits.

The facts were that Ilagin, with whom the Rostovs had a quarrel
and were at law, hunted over places that belonged by custom to the
Rostovs, and had now, as if purposely, sent his men to the very
woods the Rostovs were hunting and let his man snatch a fox their dogs
had chased.

Nicholas, though he had never seen Ilagin, with his usual absence of
moderation in judgment, hated him cordially from reports of his
arbitrariness and violence, and regarded him as his bitterest foe.
He rode in angry agitation toward him, firmly grasping his whip and
fully prepared to take the most resolute and desperate steps to punish
his enemy.

Hardly had he passed an angle of the wood before a stout gentleman
in a beaver cap came riding toward him on a handsome raven-black
horse, accompanied by two hunt servants.

Instead of an enemy, Nicholas found in Ilagin a stately and
courteous gentleman who was particularly anxious to make the young
count's acquaintance. Having ridden up to Nicholas, Ilagin raised
his beaver cap and said he much regretted what had occurred and
would have the man punished who had allowed himself to seize a fox
hunted by someone else's borzois. He hoped to become better acquainted
with the count and invited him to draw his covert.

Natasha, afraid that her brother would do something dreadful, had
followed him in some excitement. Seeing the enemies exchanging
friendly greetings, she rode up to them. Ilagin lifted his beaver
cap still higher to Natasha and said, with a pleasant smile, that
the young countess resembled Diana in her passion for the chase as
well as in her beauty, of which he had heard much.

To expiate his huntsman's offense, Ilagin pressed the Rostovs to
come to an upland of his about a mile away which he usually kept for
himself and which, he said, swarmed with hares. Nicholas agreed, and
the hunt, now doubled, moved on.

The way to Iligin's upland was across the fields. The hunt
servants fell into line. The masters rode together. "Uncle," Rostov,
and Ilagin kept stealthily glancing at one another's dogs, trying
not to be observed by their companions and searching uneasily for
rivals to their own borzois.

Rostov was particularly struck by the beauty of a small,
pure-bred, red-spotted bitch on Ilagin's leash, slender but with
muscles like steel, a delicate muzzle, and prominent black eyes. He
had heard of the swiftness of Ilagin's borzois, and in that
beautiful bitch saw a rival to his own Milka.

In the middle of a sober conversation begun by Ilagin about the
year's harvest, Nicholas pointed to the red-spotted bitch.

"A fine little bitch, that!" said he in a careless tone. "Is she
swift?"

"That one? Yes, she's a good dog, gets what she's after," answered
Ilagin indifferently, of the red-spotted bitch Erza, for which, a year
before, he had given a neighbor three families of house serfs. "So
in your parts, too, the harvest is nothing to boast of, Count?" he
went on, continuing the conversation they had begun. And considering
it polite to return the young count's compliment, Ilagin looked at his
borzois and picked out Milka who attracted his attention by her
breadth. "That black-spotted one of yours is fine- well shaped!"
said he.

"Yes, she's fast enough," replied Nicholas, and thought: "If only
a full-grown hare would cross the field now I'd show you what sort
of borzoi she is," and turning to his groom, he said he would give a
ruble to anyone who found a hare.

"I don't understand," continued Ilagin, "how some sportsmen can be
so jealous about game and dogs. For myself, I can tell you, Count, I
enjoy riding in company such as this... what could be better?" (he
again raised his cap to Natasha) "but as for counting skins and what
one takes, I don't care about that."

"Of course not!"

"Or being upset because someone else's borzoi and not mine catches
something. All I care about is to enjoy seeing the chase, is it not
so, Count? For I consider that..."

"A-tu!" came the long-drawn cry of one of the borzoi whippers-in,
who had halted. He stood on a knoll in the stubble, holding his whip
aloft, and again repeated his long-drawn cry, "A-tu!" (This call and
the uplifted whip meant that he saw a sitting hare.)

"Ah, he has found one, I think," said Ilagin carelessly. "Yes, we
must ride up.... Shall we both course it?" answered Nicholas, seeing
in Erza and "Uncle's" red Rugay two rivals he had never yet had a
chance of pitting against his own borzois. "And suppose they outdo
my Milka at once!" he thought as he rode with "Uncle" and Ilagin
toward the hare.

"A full-grown one?" asked Ilagin as he approached the whip who had
sighted the hare- and not without agitation he looked round and
whistled to Erza.

"And you, Michael Nikanorovich?" he said, addressing "Uncle."

The latter was riding with a sullen expression on his face.

"How can I join in? Why, you've given a village for each of your
borzois! That's it, come on! Yours are worth thousands. Try yours
against one another, you two, and I'll look on!"

"Rugay, hey, hey!" he shouted. "Rugayushka!" he added, involuntarily
by this diminutive expressing his affection and the hopes he placed on
this red borzoi. Natasha saw and felt the agitation the two elderly
men and her brother were trying to conceal, and was herself excited by
it.

The huntsman stood halfway up the knoll holding up his whip and
the gentlefolk rode up to him at a footpace; the hounds that were
far off on the horizon turned away from the hare, and the whips, but
not the gentlefolk, also moved away. All were moving slowly and
sedately.

"How is it pointing?" asked Nicholas, riding a hundred paces
toward the whip who had sighted the hare.

But before the whip could reply, the hare, scenting the frost coming
next morning, was unable to rest and leaped up. The pack on leash
rushed downhill in full cry after the hare, and from all sides the
borzois that were not on leash darted after the hounds and the hare.
All the hunt, who had been moving slowly, shouted, "Stop!" calling
in the hounds, while the borzoi whips, with a cry of "A-tu!"galloped
across the field setting the borzois on the hare. The tranquil Ilagin,
Nicholas, Natasha, and "Uncle" flew, reckless of where and how they
went, seeing only the borzois and the hare and fearing only to lose
sight even for an instant of the chase. The hare they had started
was a strong and swift one. When he jumped up he did not run at
once, but pricked his ears listening to the shouting and trampling
that resounded from all sides at once. He took a dozen bounds, not
very quickly, letting the borzois gain on him, and, finally having
chosen his direction and realized his danger, laid back his ears and
rushed off headlong. He had been lying in the stubble, but in front of
him was the autumn sowing where the ground was soft. The two borzois
of the huntsman who had sighted him, having been the nearest, were the
first to see and pursue him, but they had not gone far before Ilagin's
red-spotted Erza passed them, got within a length, flew at the hare
with terrible swiftness aiming at his scut, and, thinking she had
seized him, rolled over like a ball. The hare arched his back and
bounded off yet more swiftly. From behind Erza rushed the
broad-haunched, black-spotted Milka and began rapidly gaining on the
hare.

"Milashka, dear!" rose Nicholas' triumphant cry. It looked as if
Milka would immediately pounce on the hare, but she overtook him and
flew past. The hare had squatted. Again the beautiful Erza reached
him, but when close to the hare's scut paused as if measuring the
distance, so as not to make a mistake this time but seize his hind
leg.

"Erza, darling! Ilagin wailed in a voice unlike his own. Erza did
not hearken to his appeal. At the very moment when she would have
seized her prey, the hare moved and darted along the balk between
the winter rye and the stubble. Again Erza and Milka were abreast,
running like a pair of carriage horses, and began to overtake the
hare, but it was easier for the hare to run on the balk and the
borzois did not overtake him so quickly.

"Rugay, Rugayushka! That's it, come on!" came a third voice just
then, and "Uncle's" red borzoi, straining and curving its back, caught
up with the two foremost borzois, pushed ahead of them regardless of
the terrible strain, put on speed close to the hare, knocked it off
the balk onto the ryefield, again put on speed still more viciously,
sinking to his knees in the muddy field, and all one could see was
how, muddying his back, he rolled over with the hare. A ring of
borzois surrounded him. A moment later everyone had drawn up round the
crowd of dogs. Only the delighted "Uncle" dismounted, and cut off a
pad, shaking the hare for the blood to drip off, and anxiously
glancing round with restless eyes while his arms and legs twitched. He
spoke without himself knowing whom to or what about. "That's it,
come on! That's a dog!... There, it has beaten them all, the
thousand-ruble as well as the one-ruble borzois. That's it, come
on!" said he, panting and looking wrathfully around as if he were
abusing someone, as if they were all his enemies and had insulted him,
and only now had he at last succeeded in justifying himself. "There
are your thousand-ruble ones.... That's it, come on!..."

"Rugay, here's a pad for you!" he said, throwing down the hare's
muddy pad. "You've deserved it, that's it, come on!"

"She'd tired herself out, she'd run it down three times by herself,"
said Nicholas, also not listening to anyone and regardless of
whether he were heard or not.

"But what is there in running across it like that?" said Ilagin's
groom.

"Once she had missed it and turned it away, any mongrel could take
it," Ilagin was saying at the same time, breathless from his gallop
and his excitement. At the same moment Natasha, without drawing
breath, screamed joyously, ecstatically, and so piercingly that it set
everyone's ear tingling. By that shriek she expressed what the
others expressed by all talking at once, and it was so strange that
she must herself have been ashamed of so wild a cry and everyone
else would have been amazed at it at any other time. "Uncle" himself
twisted up the hare, threw it neatly and smartly across his horse's
back as if by that gesture he meant to rebuke everybody, and, with
an air of not wishing to speak to anyone, mounted his bay and rode
off. The others all followed, dispirited and shamefaced, and only much
later were they able to regain their former affectation of
indifference. For a long time they continued to look at red Rugay who,
his arched back spattered with mud and clanking the ring of his leash,
walked along just behind "Uncle's" horse with the serene air of a
conqueror.

"Well, I am like any other dog as long as it's not a question of
coursing. But when it is, then look out!" his appearance seem to
Nicholas to be saying.

When, much later, "Uncle" rode up to Nicholas and began talking to
him, he felt flattered that, after what had happened, "Uncle"
deigned to speak to him.


CHAPTER VII


Toward evening Ilagin took leave of Nicholas, who found that they
were so far from home that he accepted "Uncle's" offer that the
hunting party should spend the night in his little village of
Mikhaylovna.

"And if you put up at my house that will be better still. That's it,
come on!" said "Uncle." "You see it's damp weather, and you could
rest, and the little countess could be driven home in a trap."

"Uncle's" offer was accepted. A huntsman was sent to Otradnoe for
a trap, while Nicholas rode with Natasha and Petya to "Uncle's" house.

Some five male domestic serfs, big and little, rushed out to the
front porch to meet their master. A score of women serfs, old and
young, as well as children, popped out from the back entrance to
have a look at the hunters who were arriving. The presence of Natasha-
a woman, a lady, and on horseback- raised the curiosity of the serfs
to such a degree that many of them came up to her, stared her in the
face, and unabashed by her presence made remarks about her as though
she were some prodigy on show and not a human being able to hear or
understand what was said about her.

"Arinka! Look, she sits sideways! There she sits and her skirt
dangles.... See, she's got a little hunting horn!"

"Goodness gracious! See her knife?..."

"Isn't she a Tartar!"

"How is it you didn't go head over heels?" asked the boldest of all,
addressing Natasha directly.

"Uncle" dismounted at the porch of his little wooden house which
stood in the midst of an overgrown garden and, after a glance at his
retainers, shouted authoritatively that the superfluous ones should
take themselves off and that all necessary preparations should be made
to receive the guests and the visitors.

The serfs all dispersed. "Uncle" lifted Natasha off her horse and
taking her hand led her up the rickety wooden steps of the porch.
The house, with its bare, unplastered log walls, was not overclean- it
did not seem that those living in it aimed at keeping it spotless- but
neither was it noticeably neglected. In the entry there was a smell of
fresh apples, and wolf and fox skins hung about.

"Uncle" led the visitors through the anteroom into a small hall with
a folding table and red chairs, then into the drawing room with a
round birchwood table and a sofa, and finally into his private room
where there was a tattered sofa, a worn carpet, and portraits of
Suvorov, of the host's father and mother, and of himself in military
uniform. The study smelt strongly of tobacco and dogs. "Uncle" asked
his visitors to sit down and make themselves at home, and then went
out of the room. Rugay, his back still muddy, came into the room and
lay down on the sofa, cleaning himself with his tongue and teeth.
Leading from the study was a passage in which a partition with
ragged curtains could be seen. From behind this came women's
laughter and whispers. Natasha, Nicholas, and Petya took off their
wraps and sat down on the sofa. Petya, leaning on his elbow, fell
asleep at once. Natasha and Nicholas were silent. Their faces
glowed, they were hungry and very cheerful. They looked at one another
(now that the hunt was over and they were in the house, Nicholas no
longer considered it necessary to show his manly superiority over
his sister), Natasha gave him a wink, and neither refrained long
from bursting into a peal of ringing laughter even before they had a
pretext ready to account for it.

After a while "Uncle" came in, in a Cossack coat, blue trousers, and
small top boots. And Natasha felt that this costume, the very one
she had regarded with surprise and amusement at Otradnoe, was just the
right thing and not at all worse than a swallow-tail or frock coat.
"Uncle" too was in high spirits and far from being offended by the
brother's and sister's laughter (it could never enter his head that
they might be laughing at his way of life) he himself joined in the
merriment.

"That's right, young countess, that's it, come on! I never saw
anyone like her!" said he, offering Nicholas a pipe with a long stem
and, with a practiced motion of three fingers, taking down another
that had been cut short. "She's ridden all day like a man, and is as
fresh as ever!

Soon after "Uncle's" reappearance the door was opened, evidently
from the sound by a barefooted girl, and a stout, rosy, good-looking
woman of about forty, with a double chin and full red lips, entered
carrying a large loaded tray. With hospitable dignity and cordiality
in her glance and in every motion, she looked at the visitors and,
with a pleasant smile, bowed respectfully. In spite of her exceptional
stoutness, which caused her to protrude her chest and stomach and
throw back her head, this woman (who was "Uncle's" housekeeper) trod
very lightly. She went to the table, set down the tray, and with her
plump white hands deftly took from it the bottles and various hors
d'oeuvres and dishes and arranged them on the table. When she had
finished, she stepped aside and stopped at the door with a smile on
her face. "Here I am. I am she! Now do you understand 'Uncle'?" her
expression said to Rostov. How could one help understanding? Not
only Nicholas, but even Natasha understood the meaning of his puckered
brow and the happy complacent smile that slightly puckered his lips
when Anisya Fedorovna entered. On the tray was a bottle of herb
wine, different kinds of vodka, pickled mushrooms, rye cakes made with
buttermilk, honey in the comb, still mead and sparkling mead,
apples, nuts (raw and roasted), and nut-and-honey sweets. Afterwards
she brought a freshly roasted chicken, ham, preserves made with honey,
and preserves made with sugar.

All this was the fruit of Anisya Fedorovna's housekeeping,
gathered and prepared by her. The smell and taste of it all had a
smack of Anisya Fedorovna herself: a savor of juiciness,
cleanliness, whiteness, and pleasant smiles.

"Take this, little Lady-Countess!" she kept saying, as she offered
Natasha first one thing and then another.

Natasha ate of everything and thought she had never seen or eaten
such buttermilk cakes, such aromatic jam, such honey-and-nut sweets,
or such a chicken anywhere. Anisya Fedorovna left the room.

After supper, over their cherry brandy, Rostov and "Uncle" talked of
past and future hunts, of Rugay and Ilagin's dogs, while Natasha sat
upright on the sofa and listened with sparkling eyes. She tried
several times to wake Petya that he might eat something, but he only
muttered incoherent words without waking up. Natasha felt so
lighthearted and happy in these novel surroundings that she only
feared the trap would come for her too soon. After a casual pause,
such as often occurs when receiving friends for the first time in
one's own house, "Uncle," answering a thought that was in his
visitors' mind, said:

"This, you see, is how I am finishing my days... Death will come.
That's it, come on! Nothing will remain. Then why harm anyone?"

"Uncle's" face was very significant and even handsome as he said
this. Involuntarily Rostov recalled all the good he had heard about
him from his father and the neighbors. Throughout the whole province
"Uncle" had the reputation of being the most honorable and
disinterested of cranks. They called him in to decide family disputes,
chose him as executor, confided secrets to him, elected him to be a
justice and to other posts; but he always persistently refused
public appointments, passing the autumn and spring in the fields on
his bay gelding, sitting at home in winter, and lying in his overgrown
garden in summer.

"Why don't you enter the service, Uncle?"

"I did once, but gave it up. I am not fit for it. That's it, come
on! I can't make head or tail of it. That's for you- I haven't
brains enough. Now, hunting is another matter- that's it, come on!
Open the door, there!" he shouted. "Why have you shut it?"

The door at the end of the passage led to the huntsmen's room, as
they called the room for the hunt servants.

There was a rapid patter of bare feet, and an unseen hand opened the
door into the huntsmen's room, from which came the clear sounds of a
balalayka on which someone, who was evidently a master of the art, was
playing. Natasha had been listening to those strains for some time and
now went out into the passage to hear better.

"That's Mitka, my coachman.... I have got him a good balalayka.
I'm fond of it," said "Uncle."

It was the custom for Mitka to play the balalayka in the
huntsmen's room when "Uncle" returned from the chase. "Uncle" was fond
of such music.

"How good! Really very good!" said Nicholas with some
unintentional superciliousness, as if ashamed to confess that the
sounds pleased him very much.

"Very good?" said Natasha reproachfully, noticing her brother's
tone. "Not 'very good' it's simply delicious!"

Just as "Uncle's" pickled mushrooms, honey, and cherry brandy had
seemed to her the best in the world, so also that song, at that
moment, seemed to her the acme of musical delight.

"More, please, more!" cried Natasha at the door as soon as the
balalayka ceased. Mitka tuned up afresh, and recommenced thrumming the
balalayka to the air of My Lady, with trills and variations. "Uncle"
sat listening, slightly smiling, with his head on one side. The air
was repeated a hundred times. The balalayka was retuned several
times and the same notes were thrummed again, but the listeners did
not grow weary of it and wished to hear it again and again. Anisya
Fedorovna came in and leaned her portly person against the doorpost.

"You like listening?" she said to Natasha, with a smile extremely
like "Uncle's." "That's a good player of ours," she added.

"He doesn't play that part right!" said "Uncle" suddenly, with an
energetic gesture. "Here he ought to burst out- that's it, come on!-
ought to burst out."

"Do you play then?" asked Natasha.

"Uncle" did not answer, but smiled.

"Anisya, go and see if the strings of my guitar are all right. I
haven't touched it for a long time. That's it- come on! I've given
it up."

Anisya Fedorovna, with her light step, willingly went to fulfill her
errand and brought back the guitar.

Without looking at anyone, "Uncle" blew the dust off it and, tapping
the case with his bony fingers, tuned the guitar and settled himself
in his armchair. He took the guitar a little above the fingerboard,
arching his left elbow with a somewhat theatrical gesture, and, with a
wink at Anisya Fedorovna, struck a single chord, pure and sonorous,
and then quietly, smoothly, and confidently began playing in very slow
time, not My Lady, but the well-known song: Came a maiden down the
street. The tune, played with precision and in exact time, began to
thrill in the hearts of Nicholas and Natasha, arousing in them the
same kind of sober mirth as radiated from Anisya Fedorovna's whole
being. Anisya Fedorovna flushed, and drawing her kerchief over her
face went laughing out of the room. "Uncle" continued to play
correctly, carefully, with energetic firmness, looking with a
changed and inspired expression at the spot where Anisya Fedorovna had
just stood. Something seemed to be laughing a little on one side of
his face under his gray mustaches, especially as the song grew brisker
and the time quicker and when, here and there, as he ran his fingers
over the strings, something seemed to snap.

"Lovely, lovely! Go on, Uncle, go on!" shouted Natasha as soon as he
had finished. She jumped up and hugged and kissed him. "Nicholas,
Nicholas!" she said, turning to her brother, as if asking him: "What
is it moves me so?"

Nicholas too was greatly pleased by "Uncle's" playing, and "Uncle"
played the piece over again. Anisya Fedorovna's smiling face
reappeared in the doorway and behind hers other faces...


    Fetching water clear and sweet,

    Stop, dear maiden, I entreat-

played "Uncle" once more, running his fingers skillfully over the
strings, and then he stopped short and jerked his shoulders.

"Go on, Uncle dear," Natasha wailed in an imploring tone as if her
life depended on it.

"Uncle" rose, and it was as if there were two men in him: one of
them smiled seriously at the merry fellow, while the merry fellow
struck a naive and precise attitude preparatory to a folk dance.

"Now then, niece!" he exclaimed, waving to Natasha the hand that had
just struck a chord.

Natasha threw off the shawl from her shoulders, ran forward to
face "Uncle," and setting her arms akimbo also made a motion with
her shoulders and struck an attitude.

Where, how, and when had this young countess, educated by an emigree
French governess, imbibed from the Russian air she breathed that
spirit and obtained that manner which the pas de chale* would, one
would have supposed, long ago have effaced? But the spirit and the
movements were those inimitable and unteachable Russian ones that
"Uncle" had expected of her. As soon as she had struck her pose, and
smiled triumphantly, proudly, and with sly merriment, the fear that
had at first seized Nicholas and the others that she might not do
the right thing was at an end, and they were already admiring her.


*The French shawl dance.


She did the right thing with such precision, such complete
precision, that Anisya Fedorovna, who had at once handed her the
handkerchief she needed for the dance, had tears in her eyes, though
she laughed as she watched this slim, graceful countess, reared in
silks and velvets and so different from herself, who yet was able to
understand all that was in Anisya and in Anisya's father and mother
and aunt, and in every Russian man and woman.

"Well, little countess; that's it- come on!" cried "Uncle," with a
joyous laugh, having finished the dance. "Well done, niece! Now a fine
young fellow must be found as husband for you. That's it- come on!"

"He's chosen already," said Nicholas smiling.

"Oh?" said "Uncle" in surprise, looking inquiringly at Natasha,
who nodded her head with a happy smile.

"And such a one!" she said. But as soon as she had said it a new
train of thoughts and feelings arose in her. "What did Nicholas' smile
mean when he said 'chosen already'? Is he glad of it or not? It is
as if he thought my Bolkonski would not approve of or understand our
gaiety. But he would understand it all. Where is he now?" she thought,
and her face suddenly became serious. But this lasted only a second.
"Don't dare to think about it," she said to herself, and sat down
again smilingly beside "Uncle," begging him to play something more.

"Uncle" played another song and a valse; then after a pause he
cleared his throat and sang his favorite hunting song:


    As 'twas growing dark last night

    Fell the snow so soft and light...


"Uncle" sang as peasants sing, with full and naive conviction that
the whole meaning of a song lies in the words and that the tune
comes of itself, and that apart from the words there is no tune, which
exists only to give measure to the words. As a result of this the
unconsidered tune, like the song of a bird, was extraordinarily
good. Natasha was in ecstasies over "Uncle's" singing. She resolved to
give up learning the harp and to play only the guitar. She asked
"Uncle" for his guitar and at once found the chords of the song.

After nine o'clock two traps and three mounted men, who had been
sent to look for them, arrived to fetch Natasha and Petya. The count
and countess did not know where they were and were very anxious,
said one of the men.

Petya was carried out like a log and laid in the larger of the two
traps. Natasha and Nicholas got into the other. "Uncle" wrapped
Natasha up warmly and took leave of her with quite a new tenderness.
He accompanied them on foot as far as the bridge that could not be
crossed, so that they had to go round by the ford, and he sent
huntsmen to ride in front with lanterns.

"Good-by, dear niece," his voice called out of the darkness- not the
voice Natasha had known previously, but the one that had sung As 'twas
growing dark last night.

In the village through which they passed there were red lights and a
cheerful smell of smoke.

"What a darling Uncle is!" said Natasha, when they had come out onto
the highroad.

"Yes," returned Nicholas. "You're not cold?"

"No. I'm quite, quite all right. I feel so comfortable!" answered
Natasha, almost perplexed by her feelings. They remained silent a long
while. The night was dark and damp. They could not see the horses, but
only heard them splashing through the unseen mud.

What was passing in that receptive childlike soul that so eagerly
caught and assimilated all the diverse impressions of life? How did
they all find place in her? But she was very happy. As they were
nearing home she suddenly struck up the air of As 'twas growing dark
last night- the tune of which she had all the way been trying to get
and had at last caught.

"Got it?" said Nicholas.

"What were you thinking about just now, Nicholas?" inquired Natasha.

They were fond of asking one another that question.

"I?" said Nicholas, trying to remember. "Well, you see, first I
thought that Rugay, the red hound, was like Uncle, and that if he were
a man he would always keep Uncle near him, if not for his riding, then
for his manner. What a good fellow Uncle is! Don't you think so?...
Well, and you?"

"I? Wait a bit, wait.... Yes, first I thought that we are driving
along and imagining that we are going home, but that heaven knows
where we are really going in the darkness, and that we shall arrive
and suddenly find that we are not in Otradnoe, but in Fairyland. And
then I thought... No, nothing else."

"I know, I expect you thought of him," said Nicholas, smiling as
Natasha knew by the sound of his voice.

"No," said Natasha, though she had in reality been thinking about
Prince Andrew at the same time as of the rest, and of how he would
have liked "Uncle." "And then I was saying to myself all the way, 'How
well Anisya carried herself, how well!'" And Nicholas heard her
spontaneous, happy, ringing laughter. "And do you know," she
suddenly said, "I know that I shall never again be as happy and
tranquil as I am now."

"Rubbish, nonsense, humbug!" exclaimed Nicholas, and he thought:
"How charming this Natasha of mine is! I have no other friend like her
and never shall have. Why should she marry? We might always drive
about together!

"What a darling this Nicholas of mine is!" thought Natasha.

"Ah, there are still lights in the drawingroom!" she said,
pointing to the windows of the house that gleamed invitingly in the
moist velvety darkness of the night.


CHAPTER VIII


Count Ilya Rostov had resigned the position of Marshal of the
Nobility because it involved him in too much expense, but still his
affairs did not improve. Natasha and Nicholas often noticed their
parents conferring together anxiously and privately and heard
suggestions of selling the fine ancestral Rostov house and estate near
Moscow. It was not necessary to entertain so freely as when the
count had been Marshal, and life at Otradnoe was quieter than in
former years, but still the enormous house and its lodges were full of
people and more than twenty sat down to table every day. These were
all their own people who had settled down in the house almost as
members of the family, or persons who were, it seemed, obliged to live
in the count's house. Such were Dimmler the musician and his wife,
Vogel the dancing master and his family, Belova, an old maiden lady,
an inmate of the house, and many others such as Petya's tutors, the
girls' former governess, and other people who simply found it
preferable and more advantageous to live in the count's house than
at home. They had not as many visitors as before, but the old habits
of life without which the count and countess could not conceive of
existence remained unchanged. There was still the hunting
establishment which Nicholas had even enlarged, the same fifty
horses and fifteen grooms in the stables, the same expensive
presents and dinner parties to the whole district on name days;
there were still the count's games of whist and boston, at which-
spreading out his cards so that everybody could see them- he let
himself be plundered of hundreds of rubles every day by his neighbors,
who looked upon an opportunity to play a rubber with Count Rostov as a
most profitable source of income.

The count moved in his affairs as in a huge net, trying not to
believe that he was entangled but becoming more and more so at every
step, and feeling too feeble to break the meshes or to set to work
carefully and patiently to disentangle them. The countess, with her
loving heart, felt that her children were being ruined, that it was
not the count's fault for he could not help being what he was- that
(though he tried to hide it) he himself suffered from the
consciousness of his own and his children's ruin, and she tried to
find means of remedying the position. From her feminine point of
view she could see only one solution, namely, for Nicholas to marry
a rich heiress. She felt this to be their last hope and that if
Nicholas refused the match she had found for him, she would have to
abandon the hope of ever getting matters right. This match was with
Julie Karagina, the daughter of excellent and virtuous parents, a girl
the Rostovs had known from childhood, and who had now become a wealthy
heiress through the death of the last of her brothers.

The countess had written direct to Julie's mother in Moscow
suggesting a marriage between their children and had received a
favorable answer from her. Karagina had replied that for her part
she was agreeable, and everything depend on her daughter's
inclination. She invited Nicholas to come to Moscow.

Several times the countess, with tears in her eyes, told her son
that now both her daughters were settled, her only wish was to see him
married. She said she could lie down in her grave peacefully if that
were accomplished. Then she told him that she knew of a splendid
girl and tried to discover what he thought about marriage.

At other times she praised Julie to him and advised him to go to
Moscow during the holidays to amuse himself. Nicholas guessed what his
mother's remarks were leading to and during one of these conversations
induced her to speak quite frankly. She told him that her only hope of
getting their affairs disentangled now lay in his marrying Julie
Karagina.

"But, Mamma, suppose I loved a girl who has no fortune, would you
expect me to sacrifice my feelings and my honor for the sake of
money?" he asked his mother, not realizing the cruelty of his question
and only wishing to show his noble-mindedness.

"No, you have not understood me," said his mother, not knowing how
to justify herself. "You have not understood me, Nikolenka. It is your
happiness I wish for," she added, feeling that she was telling an
untruth and was becoming entangled. She began to cry.

"Mamma, don't cry! Only tell me that you wish it, and you know I
will give my life, anything, to put you at ease," said Nicholas. "I
would sacrifice anything for you- even my feelings."

But the countess did not want the question put like that: she did
not want a sacrifice from her son, she herself wished to make a
sacrifice for him.

"No, you have not understood me, don't let us talk about it," she
replied, wiping away her tears.

"Maybe I do love a poor girl," said Nicholas to himself. "Am I to
sacrifice my feelings and my honor for money? I wonder how Mamma could
speak so to me. Because Sonya is poor I must not love her," he
thought, "must not respond to her faithful, devoted love? Yet I should
certainly be happier with her than with some doll-like Julie. I can
always sacrifice my feelings for my family's welfare," he said to
himself, "but I can't coerce my feelings. If I love Sonya, that
feeling is for me stronger and higher than all else."

Nicholas did not go to Moscow, and the countess did not renew the
conversation with him about marriage. She saw with sorrow, and
sometimes with exasperation, symptoms of a growing attachment
between her son and the portionless Sonya. Though she blamed herself
for it, she could not refrain from grumbling at and worrying Sonya,
often pulling her up without reason, addressing her stiffly as "my
dear," and using the formal "you" instead of the intimate "thou" in
speaking to her. The kindhearted countess was the more vexed with
Sonya because that poor, dark-eyed niece of hers was so meek, so kind,
so devotedly grateful to her benefactors, and so faithfully,
unchangingly, and unselfishly in love with Nicholas, that there were
no grounds for finding fault with her.

Nicholas was spending the last of his leave at home. A fourth letter
had come from Prince Andrew, from Rome, in which he wrote that he
would have been on his way back to Russia long ago had not his wound
unexpectedly reopened in the warm climate, which obliged him to
defer his return till the beginning of the new year. Natasha was still
as much in love with her betrothed, found the same comfort in that
love, and was still as ready to throw herself into all the pleasures
of life as before; but at the end of the fourth month of their
separation she began to have fits of depression which she could not
master. She felt sorry for herself: sorry that she was being wasted
all this time and of no use to anyone- while she felt herself so
capable of loving and being loved.

Things were not cheerful in the Rostovs' home.


CHAPTER IX


Christmas came and except for the ceremonial Mass, the solemn and
wearisome Christmas congratulations from neighbors and servants, and
the new dresses everyone put on, there were no special festivities,
though the calm frost of twenty degrees Reaumur, the dazzling sunshine
by day, and the starlight of the winter nights seemed to call for some
special celebration of the season.

On the third day of Christmas week, after the midday dinner, all the
inmates of the house dispersed to various rooms. It was the dullest
time of the day. Nicholas, who had been visiting some neighbors that
morning, was asleep on the sitting-room sofa. The old count was
resting in his study. Sonya sat in the drawing room at the round
table, copying a design for embroidery. The countess was playing
patience. Nastasya Ivanovna the buffoon sat with a sad face at the
window with two old ladies. Natasha came into the room, went up to
Sonya, glanced at what she was doing, and then went up to her mother
and stood without speaking.

"Why are you wandering about like an outcast?" asked her mother.
"What do you want?"

"Him... I want him... now, this minute! I want him!" said Natasha,
with glittering eyes and no sign of a smile.

The countess lifted her head and looked attentively at her daughter.

"Don't look at me, Mamma! Don't look; I shall cry directly."

"Sit down with me a little," said the countess.

"Mamma, I want him. Why should I be wasted like this, Mamma?"

Her voice broke, tears gushed from her eyes, and she turned
quickly to hide them and left the room.

She passed into the sitting room, stood there thinking awhile, and
then went into the maids' room. There an old maidservant was grumbling
at a young girl who stood panting, having just run in through the cold
from the serfs' quarters.

"Stop playing- there's a time for everything," said the old woman.

"Let her alone, Kondratevna," said Natasha. "Go, Mavrushka, go."

Having released Mavrushka, Natasha crossed the dancing hall and went
to the vestibule. There an old footman and two young ones were playing
cards. They broke off and rose as she entered.

"What can I do with them?" thought Natasha.

"Oh, Nikita, please go... where can I send him?... Yes, go to the
yard and fetch a fowl, please, a cock, and you, Misha, bring me some
oats."

"Just a few oats?" said Misha, cheerfully and readily.

"Go, go quickly," the old man urged him.

"And you, Theodore, get me a piece of chalk."

On her way past the butler's pantry she told them to set a
samovar, though it was not at all the time for tea.

Foka, the butler, was the most ill-tempered person in the house.
Natasha liked to test her power over him. He distrusted the order
and asked whether the samovar was really wanted.

"Oh dear, what a young lady!" said Foka, pretending to frown at
Natasha.

No one in the house sent people about or gave them as much trouble
as Natasha did. She could not see people unconcernedly, but had to
send them on some errand. She seemed to be trying whether any of
them would get angry or sulky with her; but the serfs fulfilled no
one's orders so readily as they did hers. "What can I do, where can
I go?" thought she, as she went slowly along the passage.

"Nastasya Ivanovna, what sort of children shall I have?" she asked
the buffoon, who was coming toward her in a woman's jacket.

"Why, fleas, crickets, grasshoppers," answered the buffoon.

"O Lord, O Lord, it's always the same! Oh, where am I to go? What am
I to do with myself?" And tapping with her heels, she ran quickly
upstairs to see Vogel and his wife who lived on the upper story.

Two governesses were sitting with the Vogels at a table, on which
were plates of raisins, walnuts, and almonds. The governesses were
discussing whether it was cheaper to live in Moscow or Odessa. Natasha
sat down, listened to their talk with a serious and thoughtful air,
and then got up again.

"The island of Madagascar," she said, "Ma-da-gas-car," she repeated,
articulating each syllable distinctly, and, not replying to Madame
Schoss who asked her what she was saying, she went out of the room.

Her brother Petya was upstairs too; with the man in attendance on
him he was preparing fireworks to let off that night.

"Petya! Petya!" she called to him. "Carry me downstairs."

Petya ran up and offered her his back. She jumped on it, putting her
arms round his neck, and he pranced along with her.

"No, don't... the island of Madagascar!" she said, and jumping off
his back she went downstairs.

Having as it were reviewed her kingdom, tested her power, and made
sure that everyone was submissive, but that all the same it was
dull, Natasha betook herself to the ballroom, picked up her guitar,
sat down in a dark corner behind a bookcase, and began to run her
fingers over the strings in the bass, picking out a passage she
recalled from an opera she had heard in Petersburg with Prince Andrew.
What she drew from the guitar would have had no meaning for other
listeners, but in her imagination a whole series of reminiscences
arose from those sounds. She sat behind the bookcase with her eyes
fixed on a streak of light escaping from the pantry door and
listened to herself and pondered. She was in a mood for brooding on
the past.

Sonya passed to the pantry with a glass in her hand. Natasha glanced
at her and at the crack in the pantry door, and it seemed to her
that she remembered the light failing through that crack once before
and Sonya passing with a glass in her hand. "Yes it was exactly the
same," thought Natasha.

"Sonya, what is this?" she cried, twanging a thick string.

"Oh, you are there!" said Sonya with a start, and came near and
listened. "I don't know. A storm?" she ventured timidly, afraid of
being wrong.

"There! That's just how she started and just how she came up smiling
timidly when all this happened before," thought Natasha, "and in
just the same way I thought there was something lacking in her."

"No, it's the chorus from The Water-Carrier, listen! " and Natasha
sang the air of the chorus so that Sonya should catch it. "Where
were you going?" she asked.

"To change the water in this glass. I am just finishing the design."

"You always find something to do, but I can't," said Natasha. "And
where's Nicholas?"

"Asleep, I think."

"Sonya, go and wake him," said Natasha. "Tell him I want him to come
and sing."

She sat awhile, wondering what the meaning of it all having happened
before could be, and without solving this problem, or at all
regretting not having done so, she again passed in fancy to the time
when she was with him and he was looking at her with a lover's eyes.

"Oh, if only he would come quicker! I am so afraid it will never be!
And, worst of all, I am growing old- that's the thing! There won't
then be in me what there is now. But perhaps he'll come today, will
come immediately. Perhaps he has come and is sitting in the drawing
room. Perhaps he came yesterday and I have forgotten it." She rose,
put down the guitar, and went to the drawing room.

All the domestic circle, tutors, governesses, and guests, were
already at the tea table. The servants stood round the table- but
Prince Andrew was not there and life was going on as before.

"Ah, here she is!" said the old count, when he saw Natasha enter.
"Well, sit down by me." But Natasha stayed by her mother and glanced
round as if looking for something.

"Mamma!" she muttered, "give him to me, give him, Mamma, quickly,
quickly!" and she again had difficulty in repressing her sobs.

She sat down at the table and listened to the conversation between
the elders and Nicholas, who had also come to the table. "My God, my
God! The same faces, the same talk, Papa holding his cup and blowing
in the same way!" thought Natasha, feeling with horror a sense of
repulsion rising up in her for the whole household, because they
were always the same.

After tea, Nicholas, Sonya, and Natasha went to the sitting room, to
their favorite corner where their most intimate talks always began.


CHAPTER X


Does it ever happen to you," said Natasha to her brother, when
they settled down in the sitting room, "does it ever happen to you
to feel as if there were nothing more to come- nothing; that
everything good is past? And to feel not exactly dull, but sad?"

"I should think so!" he replied. "I have felt like that when
everything was all right and everyone was cheerful. The thought has
come into my mind that I was already tired of it all, and that we must
all die. Once in the regiment I had not gone to some merrymaking where
there was music... and suddenly I felt so depressed..."

"Oh yes, I know, I know, I know!" Natasha interrupted him. "When I
was quite little that used to be so with me. Do you remember when I
was punished once about some plums? You were all dancing, and I sat
sobbing in the schoolroom? I shall never forget it: I felt sad and
sorry for everyone, for myself, and for everyone. And I was
innocent- that was the chief thing," said Natasha. "Do you remember?"

"I remember," answered Nicholas. "I remember that I came to you
afterwards and wanted to comfort you, but do you know, I felt
ashamed to. We were terribly absurd. I had a funny doll then and
wanted to give it to you. Do you remember?"

"And do you remember," Natasha asked with a pensive smile, "how
once, long, long ago, when we were quite little, Uncle called us
into the study- that was in the old house- and it was dark- we went in
and suddenly there stood..."

"A Negro," chimed in Nicholas with a smile of delight. "Of course
I remember. Even now I don't know whether there really was a Negro, or
if we only dreamed it or were told about him."

"He was gray, you remember, and had white teeth, and stood and
looked at us..."

"Sonya, do you remember?" asked Nicholas.

"Yes, yes, I do remember something too," Sonya answered timidly.

"You know I have asked Papa and Mamma about that Negro," said
Natasha, "and they say there was no Negro at all. But you see, you
remember!"

"Of course I do, I remember his teeth as if I had just seen them."

"How strange it is! It's as if it were a dream! I like that."

"And do you remember how we rolled hard-boiled eggs in the ballroom,
and suddenly two old women began spinning round on the carpet? Was
that real or not? Do you remember what fun it was?"

"Yes, and you remember how Papa in his blue overcoat fired a gun
in the porch?"

So they went through their memories, smiling with pleasure: not
the sad memories of old age, but poetic, youthful ones- those
impressions of one's most distant past in which dreams and realities
blend- and they laughed with quiet enjoyment.

Sonya, as always, did not quite keep pace with them, though they
shared the same reminiscences.

Much that they remembered had slipped from her mind, and what she
recalled did not arouse the same poetic feeling as they experienced.
She simply enjoyed their pleasure and tried to fit in with it.

She only really took part when they recalled Sonya's first
arrival. She told them how afraid she had been of Nicholas because
he had on a corded jacket and her nurse had told her that she, too,
would be sewn up with cords.

"And I remember their telling me that you had been born under a
cabbage," said Natasha, and I remember that I dared not disbelieve
it then, but knew that it was not true, and I felt so uncomfortable."

While they were talking a maid thrust her head in at the other
door of the sitting room.

"They have brought the cock, Miss," she said in a whisper.

"It isn't wanted, Petya. Tell them to take it away," replied
Natasha.

In the middle of their talk in the sitting room, Dimmler came in and
went up to the harp that stood there in a corner. He took off its
cloth covering, and the harp gave out a jarring sound.

"Mr. Dimmler, please play my favorite nocturne by Field," came the
old countess' voice from the drawing room.

Dimmler struck a chord and, turning to Natasha, Nicholas, and Sonya,
remarked: "How quiet you young people are!"

"Yes, we're philosophizing," said Natasha, glancing round for a
moment and then continuing the conversation. They were now
discussing dreams.

Dimmler began to play; Natasha went on tiptoe noiselessly to the
table, took up a candle, carried it out, and returned, seating herself
quietly in her former place. It was dark in the room especially
where they were sitting on the sofa, but through the big windows the
silvery light of the full moon fell on the floor. Dimmler had finished
the piece but still sat softly running his fingers over the strings,
evidently uncertain whether to stop or to play something else.

"Do you know," said Natasha in a whisper, moving closer to
Nicholas and Sonya, "that when one goes on and on recalling
memories, one at last begins to remember what happened before one
was in the world..."

"That is metempsychosis," said Sonya, who had always learned well,
and remembered everything. "The Egyptians believed that our souls have
lived in animals, and will go back into animals again."

"No, I don't believe we ever were in animals," said Natasha, still
in a whisper though the music had ceased. "But I am certain that we
were angels somewhere there, and have been here, and that is why we
remember...."

"May I join you?" said Dimmler who had come up quietly, and he sat
down by them.

"If we have been angels, why have we fallen lower?" said Nicholas.
"No, that can't be!"

"Not lower, who said we were lower?... How do I know what I was
before?" Natasha rejoined with conviction. "The soul is immortal- well
then, if I shall always live I must have lived before, lived for a
whole eternity."

"Yes, but it is hard for us to imagine eternity," remarked
Dimmler, who had joined the young folk with a mildly condescending
smile but now spoke as quietly and seriously as they.

"Why is it hard to imagine eternity?" said Natasha. "It is now
today, and it will be tomorrow, and always; and there was yesterday,
and the day before..."

"Natasha! Now it's your turn. Sing me something," they heard the
countess say. "Why are you sitting there like conspirators?"

"Mamma, I don't at all want to," replied Natasha, but all the same
she rose.

None of them, not even the middle-aged Dimmler, wanted to break
off their conversation and quit that corner in the sitting room, but
Natasha got up and Nicholas sat down at the clavichord. Standing as
usual in the middle of the hall and choosing the place where the
resonance was best, Natasha began to sing her mother's favorite song.

She had said she did not want to sing, but it was long since she had
sung, and long before she again sang, as she did that evening. The
count, from his study where he was talking to Mitenka, heard her
and, like a schoolboy in a hurry to run out to play, blundered in
his talk while giving orders to the steward, and at last stopped,
while Mitenka stood in front of him also listening and smiling.
Nicholas did not take his eyes off his sister and drew breath in
time with her. Sonya, as she listened, thought of the immense
difference there was between herself and her friend, and how
impossible it was for her to be anything like as bewitching as her
cousin. The old countess sat with a blissful yet sad smile and with
tears in her eyes, occasionally shaking her head. She thought of
Natasha and of her own youth, and of how there was something unnatural
and dreadful in this impending marriage of Natasha and Prince Andrew.

Dimmler, who had seated himself beside the countess, listened with
closed eyes.

"Ah, Countess," he said at last, "that's a European talent, she
has nothing to learn- what softness, tenderness, and strength...."

"Ah, how afraid I am for her, how afraid I am!" said the countess,
not realizing to whom she was speaking. Her maternal instinct told her
that Natasha had too much of something, and that because of this she
would not be happy. Before Natasha had finished singing,
fourteen-year-old Petya rushed in delightedly, to say that some
mummers had arrived.

Natasha stopped abruptly.

"Idiot!" she screamed at her brother and, running to a chair,
threw herself on it, sobbing so violently that she could not stop
for a long time.

"It's nothing, Mamma, really it's nothing; only Petya startled
me," she said, trying to smile, but her tears still flowed and sobs
still choked her.

The mummers (some of the house serfs) dressed up as bears, Turks,
innkeepers, and ladies- frightening and funny- bringing in with them
the cold from outside and a feeling of gaiety, crowded, at first
timidly, into the anteroom, then hiding behind one another they pushed
into the ballroom where, shyly at first and then more and more merrily
and heartily, they started singing, dancing, and playing Christmas
games. The countess, when she had identified them and laughed at their
costumes, went into the drawing room. The count sat in the ballroom,
smiling radiantly and applauding the players. The young people had
disappeared.

Half an hour later there appeared among the other mummers in the
ballroom an old lady in a hooped skirt- this was Nicholas. A Turkish
girl was Petya. A clown was Dimmler. An hussar was Natasha, and a
Circassian was Sonya with burnt-cork mustache and eyebrows.

After the condescending surprise, nonrecognition, and praise, from
those who were not themselves dressed up, the young people decided
that their costumes were so good that they ought to be shown
elsewhere.

Nicholas, who, as the roads were in splendid condition, wanted to
take them all for a drive in his troyka, proposed to take with them
about a dozen of the serf mummers and drive to "Uncle's."

"No, why disturb the old fellow?" said the countess. "Besides, you
wouldn't have room to turn round there. If you must go, go to the
Melyukovs'"

Melyukova was a widow, who, with her family and their tutors and
governesses, lived three miles from the Rostovs.

"That's right, my dear," chimed in the old count, thoroughly
aroused. "I'll dress up at once and go with them. I'll make Pashette
open her eyes."

But the countess would not agree to his going; he had had a bad
leg all these last days. It was decided that the count must not go,
but that if Louisa Ivanovna (Madame Schoss) would go with them, the
young ladies might go to the Melyukovs', Sonya, generally so timid and
shy, more urgently than anyone begging Louisa Ivanovna not to refuse.

Sonya's costume was the best of all. Her mustache and eyebrows
were extraordinarily becoming. Everyone told her she looked very
handsome, and she was in a spirited and energetic mood unusual with
her. Some inner voice told her that now or never her fate would be
decided, and in her male attire she seemed quite a different person.
Louisa Ivanovna consented to go, and in half an hour four troyka
sleighs with large and small bells, their runners squeaking and
whistling over the frozen snow, drove up to the porch.

Natasha was foremost in setting a merry holiday tone, which, passing
from one to another, grew stronger and stronger and reached its climax
when they all came out into the frost and got into the sleighs,
talking, calling to one another, laughing, and shouting.

Two of the troykas were the usual household sleighs, the third was
the old count's with a trotter from the Orlov stud as shaft horse, the
fourth was Nicholas' own with a short shaggy black shaft horse.
Nicholas, in his old lady's dress over which he had belted his
hussar overcoat, stood in the middle of the sleigh, reins in hand.

It was so light that he could see the moonlight reflected from the
metal harness disks and from the eyes of the horses, who looked
round in alarm at the noisy party under the shadow of the porch roof.

Natasha, Sonya, Madame Schoss, and two maids got into Nicholas'
sleigh; Dimmler, his wife, and Petya, into the old count's, and the
rest of the mummers seated themselves in the other two sleighs.

"You go ahead, Zakhar!" shouted Nicholas to his father's coachman,
wishing for a chance to race past him.

The old count's troyka, with Dimmler and his party, started forward,
squeaking on its runners as though freezing to the snow, its
deep-toned bell clanging. The side horses, pressing against the shafts
of the middle horse, sank in the snow, which was dry and glittered
like sugar, and threw it up.

Nicholas set off, following the first sleigh; behind him the
others moved noisily, their runners squeaking. At first they drove
at a steady trot along the narrow road. While they drove past the
garden the shadows of the bare trees often fell across the road and
hid the brilliant moonlight, but as soon as they were past the
fence, the snowy plain bathed in moonlight and motionless spread out
before them glittering like diamonds and dappled with bluish
shadows. Bang, bang! went the first sleigh over a cradle hole in the
snow of the road, and each of the other sleighs jolted in the same
way, and rudely breaking the frost-bound stillness, the troykas
began to speed along the road, one after the other.

"A hare's track, a lot of tracks!" rang out Natasha's voice
through the frost-bound air.

"How light it is, Nicholas!" came Sonya's voice.

Nicholas glanced round at Sonya, and bent down to see her face
closer. Quite a new, sweet face with black eyebrows and mustaches
peeped up at him from her sable furs- so close and yet so distant-
in the moonlight.

"That used to be Sonya," thought he, and looked at her closer and
smiled.

"What is it, Nicholas?"

"Nothing," said he and turned again to the horses.

When they came out onto the beaten highroad- polished by sleigh
runners and cut up by rough-shod hoofs, the marks of which were
visible in the moonlight- the horses began to tug at the reins of
their own accord and increased their pace. The near side horse,
arching his head and breaking into a short canter, tugged at his
traces. The shaft horse swayed from side to side, moving his ears as
if asking: "Isn't it time to begin now?" In front, already far ahead
the deep bell of the sleigh ringing farther and farther off, the black
horses driven by Zakhar could be clearly seen against the white
snow. From that sleigh one could hear the shouts, laughter, and voices
of the mummers.

"Gee up, my darlings!" shouted Nicholas, pulling the reins to one
side and flourishing the whip.

It was only by the keener wind that met them and the jerks given
by the side horses who pulled harder- ever increasing their gallop-
that one noticed how fast the troyka was flying. Nicholas looked back.
With screams squeals, and waving of whips that caused even the shaft
horses to gallop- the other sleighs followed. The shaft horse swung
steadily beneath the bow over its head, with no thought of
slackening pace and ready to put on speed when required.

Nicholas overtook the first sleigh. They were driving downhill and
coming out upon a broad trodden track across a meadow, near a river.

"Where are we?" thought he. "It's the Kosoy meadow, I suppose. But
no- this is something new I've never seen before. This isn't the Kosoy
meadow nor the Demkin hill, and heaven only knows what it is! It is
something new and enchanted. Well, whatever it may be..." And shouting
to his horses, he began to pass the first sleigh.

Zakhar held back his horses and turned his face, which was already
covered with hoarfrost to his eyebrows.

Nicholas gave the horses the rein, and Zakhar, stretching out his
arms, clucked his tongue and let his horses go.

"Now, look out, master!" he cried.

Faster still the two troykas flew side by side, and faster moved the
feet of the galloping side horses. Nicholas began to draw ahead.
Zakhar, while still keeping his arms extended, raised one hand with
the reins.

"No you won't, master!" he shouted.

Nicholas put all his horses to a gallop and passed Zakhar. The
horses showered the fine dry snow on the faces of those in the sleigh-
beside them sounded quick ringing bells and they caught confused
glimpses of swiftly moving legs and the shadows of the troyka they
were passing. The whistling sound of the runners on the snow and the
voices of girls shrieking were heard from different sides.

Again checking his horses, Nicholas looked around him. They were
still surrounded by the magic plain bathed in moonlight and spangled
with stars.

"Zakhar is shouting that I should turn to the left, but why to the
left?" thought Nicholas. "Are we getting to the Melyukovs'? Is this
Melyukovka? Heaven only knows where we are going, and heaven knows
what is happening to us- but it is very strange and pleasant
whatever it is." And he looked round in the sleigh.

"Look, his mustache and eyelashes are all white!" said one of the
strange, pretty, unfamiliar people- the one with fine eyebrows and
mustache.

"I think this used to be Natasha," thought Nicholas, "and that was
Madame Schoss, but perhaps it's not, and this Circassian with the
mustache I don't know, but I love her."

"Aren't you cold?" he asked.

They did not answer but began to laugh. Dimmler from the sleigh
behind shouted something- probably something funny- but they could not
make out what he said.

"Yes, yes!" some voices answered, laughing.

"But here was a fairy forest with black moving shadows, and a
glitter of diamonds and a flight of marble steps and the silver
roofs of fairy buildings and the shrill yells of some animals. And
if this is really Melyukovka, it is still stranger that we drove
heaven knows where and have come to Melyukovka," thought Nicholas.

It really was Melyukovka, and maids and footmen with merry faces
came running, out to the porch carrying candles.

"Who is it?" asked someone in the porch.

"The mummers from the count's. I know by the horses," replied some
voices.


CHAPTER XI


Pelageya Danilovna Melyukova, a broadly built, energetic woman
wearing spectacles, sat in the drawing room in a loose dress,
surrounded by her daughters whom she was trying to keep from feeling
dull. They were quietly dropping melted wax into snow and looking at
the shadows the wax figures would throw on the wall, when they heard
the steps and voices of new arrivals in the vestibule.

Hussars, ladies, witches, clowns, and bears, after clearing their
throats and wiping the hoarfrost from their faces in the vestibule,
came into the ballroom where candles were hurriedly lighted. The
clown- Dimmler- and the lady- Nicholas- started a dance. Surrounded by
the screaming children the mummers, covering their faces and
disguising their voices, bowed to their hostess and arranged
themselves about the room.

"Dear me! there's no recognizing them! And Natasha! See whom she
looks like! She really reminds me of somebody. But Herr Dimmler- isn't
he good! I didn't know him! And how he dances. Dear me, there's a
Circassian. Really, how becoming it is to dear Sonya. And who is that?
Well, you have cheered us up! Nikita and Vanya- clear away the tables!
And we were sitting so quietly. Ha, ha, ha!... The hussar, the hussar!
Just like a boy! And the legs!... I can't look at him..." different
voices were saying.

Natasha, the young Melyukovs' favorite, disappeared with them into
the back rooms where a cork and various dressing gowns and male
garments were called for and received from the footman by bare girlish
arms from behind the door. Ten minutes later, all the young
Melyukovs joined the mummers.

Pelageya Danilovna, having given orders to clear the rooms for the
visitors and arranged about refreshments for the gentry and the serfs,
went about among the mummers without removing her spectacles,
peering into their faces with a suppressed smile and failing to
recognize any of them. It was not merely Dimmler and the Rostovs she
failed to recognize, she did not even recognize her own daughters,
or her late husband's, dressing gowns and uniforms, which they had put
on.

"And who is is this?" she asked her governess, peering into the face
of her own daughter dressed up as a Kazan-Tartar. "I suppose it is one
of the Rostovs! Well, Mr. Hussar, and what regiment do you serve
in?" she asked Natasha. "Here, hand some fruit jelly to the Turk!" she
ordered the butler who was handing things round. "That's not forbidden
by his law."

Sometimes, as she looked at the strange but amusing capers cut by
the dancers, who- having decided once for all that being disguised, no
one would recognize them- were not at all shy, Pelageya Danilovna
hid her face in her handkerchief, and her whole stout body shook
with irrepressible, kindly, elderly laughter.

"My little Sasha! Look at Sasha!" she said.

After Russian country dances and chorus dances, Pelageya Danilovna
made the serfs and gentry join in one large circle: a ring, a
string, and a silver ruble were fetched and they all played games
together.

In an hour, all the costumes were crumpled and disordered. The
corked eyebrows and mustaches were smeared over the perspiring,
flushed, and merry faces. Pelageya Danilovna began to recognize the
mummers, admired their cleverly contrived costumes, and particularly
how they suited the young ladies, and she thanked them all for
having entertained her so well. The visitors were invited to supper in
the drawing room, and the serfs had something served to them in the
ballroom.

"Now to tell one's fortune in the empty bathhouse is frightening!"
said an old maid who lived with the Melyukovs, during supper.

"Why?" said the eldest Melyukov girl.

"You wouldn't go, it takes courage..."

"I'll go," said Sonya.

"Tell what happened to the young lady!" said the second Melyukov
girl.

"Well," began the old maid, "a young lady once went out, took a
cock, laid the table for two, all properly, and sat down. After
sitting a while, she suddenly hears someone coming... a sleigh
drives up with harness bells; she hears him coming! He comes in,
just in the shape of a man, like an officer- comes in and sits down to
table with her."

"Ah! ah!" screamed Natasha, rolling her eyes with horror.

"Yes? And how... did he speak?"

"Yes, like a man. Everything quite all right, and he began
persuading her; and she should have kept him talking till cockcrow,
but she got frightened, just got frightened and hid her face in her
hands. Then he caught her up. It was lucky the maids ran in just
then..."

"Now, why frighten them?" said Pelageya Danilovna.

"Mamma, you used to try your fate yourself..." said her daughter.

"And how does one do it in a barn?" inquired Sonya.

"Well, say you went to the barn now, and listened. It depends on
what you hear; hammering and knocking- that's bad; but a sound of
shifting grain is good and one sometimes hears that, too."

"Mamma, tell us what happened to you in the barn."

Pelageya Danilovna smiled.

"Oh, I've forgotten..." she replied. "But none of you would go?"

"Yes, I will; Pelageya Danilovna, let me! I'll go," said Sonya.

"Well, why not, if you're not afraid?"

"Louisa Ivanovna, may I?" asked Sonya.

Whether they were playing the ring and string game or the ruble game
or talking as now, Nicholas did not leave Sonya's side, and gazed at
her with quite new eyes. It seemed to him that it was only today,
thanks to that burnt-cork mustache, that he had fully learned to
know her. And really, that evening, Sonya was brighter, more animated,
and prettier than Nicholas had ever seen her before.

"So that's what she is like; what a fool I have been!" he thought
gazing at her sparkling eyes, and under the mustache a happy rapturous
smile dimpled her cheeks, a smile he had never seen before.

"I'm not afraid of anything," said Sonya. "May I go at once?" She
got up.

They told her where the barn was and how she should stand and
listen, and they handed her a fur cloak. She threw this over her
head and shoulders and glanced at Nicholas.

"What a darling that girl is!" thought he. "And what have I been
thinking of till now?"

Sonya went out into the passage to go to the barn. Nicholas went
hastily to the front porch, saying he felt too hot. The crowd of
people really had made the house stuffy.

Outside, there was the same cold stillness and the same moon, but
even brighter than before. The light was so strong and the snow
sparkled with so many stars that one did not wish to look up at the
sky and the real stars were unnoticed. The sky was black and dreary,
while the earth was gay.

"I am a fool, a fool! what have I been waiting for?" thought
Nicholas. and running out from the porch he went round the corner of
the house and along the path that led to the back porch. He knew Sonya
would pass that way. Halfway lay some snow-covered piles of firewood
and across and along them a network of shadows from the bare old
lime trees fell on the snow and on the path. This path led to the
barn. The log walls of the barn and its snow-covered roof, that looked
as if hewn out of some precious stone, sparkled in the moonlight. A
tree in the garden snapped with the frost, and then all was again
perfectly silent. His bosom seemed to inhale not air but the
strength of eternal youth and gladness.

From the back porch came the sound of feet descending the steps, the
bottom step upon which snow had fallen gave a ringing creak and he
heard the voice of an old maidservant saying, "Straight, straight,
along the path, Miss. Only, don't look back."

"I am not afraid," answered Sonya's voice, and along the path toward
Nicholas came the crunching, whistling sound of Sonya's feet in her
thin shoes.

Sonya came along, wrapped in her cloak. She was only a couple of
paces away when she saw him, and to her too he was not the Nicholas
she had known and always slightly feared. He was in a woman's dress,
with tousled hair and a happy smile new to Sonya. She ran rapidly
toward him.

"Quite different and yet the same," thought Nicholas, looking at her
face all lit up by the moonlight. He slipped his arms under the
cloak that covered her head, embraced her, pressed her to him, and
kissed her on the lips that wore a mustache and had a smell of burnt
cork. Sonya kissed him full on the lips, and disengaging her little
hands pressed them to his cheeks.

"Sonya!... Nicholas!"... was all they said. They ran to the barn and
then back again, re-entering, he by the front and she by the back
porch.


CHAPTER XII


When they all drove back from Pelageya Danilovna's, Natasha, who
always saw and noticed everything, arranged that she and Madame Schoss
should go back in the sleigh with Dimmler, and Sonya with Nicholas and
the maids.

On the way back Nicholas drove at a steady pace instead of racing
and kept peering by that fantastic all-transforming light into Sonya's
face and searching beneath the eyebrows and mustache for his former
and his present Sonya from whom he had resolved never to be parted
again. He looked and recognizing in her both the old and the new
Sonya, and being reminded by the smell of burnt cork of the
sensation of her kiss, inhaled the frosty air with a full breast
and, looking at the ground flying beneath him and at the sparkling
sky, felt himself again in fairyland.

"Sonya, is it well with thee?" he asked from time to time.

"Yes!" she replied. "And with thee?"

When halfway home Nicholas handed the reins to the coachman and
ran for a moment to Natasha's sleigh and stood on its wing.

"Natasha!" he whispered in French, "do you know I have made up my
mind about Sonya?"

"Have you told her?" asked Natasha, suddenly beaming all over with
joy.

"Oh, how strange you are with that mustache and those eyebrows!...
Natasha- are you glad?"

"I am so glad, so glad! I was beginning to be vexed with you. I
did not tell you, but you have been treating her badly. What a heart
she has, Nicholas! I am horrid sometimes, but I was ashamed to be
happy while Sonya was not," continued Natasha. "Now I am so glad!
Well, run back to her."

"No, wait a bit.... Oh, how funny you look!" cried Nicholas, peering
into her face and finding in his sister too something new, unusual,
and bewitchingly tender that he had not seen in her before.
"Natasha, it's magical, isn't it?"

"Yes," she replied. "You have done splendidly."

"Had I seen her before as she is now," thought Nicholas, "I should
long ago have asked her what to do and have done whatever she told me,
and all would have been well."

"So you are glad and I have done right?"

"Oh, quite right! I had a quarrel with Mamma some time ago about it.
Mamma said she was angling for you. How could she say such a thing!
I nearly stormed at Mamma. I will never let anyone say anything bad of
Sonya, for there is nothing but good in her."

"Then it's all right?" said Nicholas, again scrutinizing the
expression of his sister's face to see if she was in earnest. Then
he jumped down and, his boots scrunching the snow, ran back to his
sleigh. The same happy, smiling Circassian, with mustache and
beaming eyes looking up from under a sable hood, was still sitting
there, and that Circassian was Sonya, and that Sonya was certainly his
future happy and loving wife.

When they reached home and had told their mother how they had
spent the evening at the Melyukovs', the girls went to their
bedroom. When they had undressed, but without washing off the cork
mustaches, they sat a long time talking of their happiness. They
talked of how they would live when they were married, how their
husbands would be friends, and how happy they would be. On Natasha's
table stood two looking glasses which Dunyasha had prepared
beforehand.

"Only when will all that be? I am afraid never.... It would be too
good!" said Natasha, rising and going to the looking glasses.

"Sit down, Natasha; perhaps you'll see him," said Sonya.

Natasha lit the candles, one on each side of one of the looking
glasses, and sat down.

"I see someone with a mustache," said Natasha, seeing her own face.

"You mustn't laugh, Miss," said Dunyasha.

With Sonya's help and the maid's, Natasha got the glass she held
into the right position opposite the other; her face assumed a serious
expression and she sat silent. She sat a long time looking at the
receding line of candles reflected in the glasses and expecting
(from tales she had heard) to see a coffin, or him, Prince Andrew,
in that last dim, indistinctly outlined square. But ready as she was
to take the smallest speck for the image of a man or of a coffin,
she saw nothing. She began blinking rapidly and moved away from the
looking glasses.

"Why is it others see things and I don't?" she said. "You sit down
now, Sonya. You absolutely must, tonight! Do it for me.... Today I
feel so frightened!"

Sonya sat down before the glasses, got the right position, and began
looking.

"Now, Miss Sonya is sure to see something," whispered Dunyasha;
"while you do nothing but laugh."

Sonya heard this and Natasha's whisper:

"I know she will. She saw something last year."

For about three minutes all were silent.

"Of course she will!" whispered Natasha, but did not finish...
suddenly Sonya pushed away the glass she was holding and covered her
eyes with her hand.

"Oh, Natasha!" she cried.

"Did you see? Did you? What was it?" exclaimed Natasha, holding up
the looking glass.

Sonya had not seen anything, she was just wanting to blink and to
get up when she heard Natasha say, "Of course she will!" She did not
wish to disappoint either Dunyasha or Natasha, but it was hard to
sit still. She did not herself know how or why the exclamation escaped
her when she covered her eyes.

"You saw him?" urged Natasha, seizing her hand.

"Yes. Wait a bit... I... saw him," Sonya could not help saying,
not yet knowing whom Natasha meant by him, Nicholas or Prince Andrew.

"But why shouldn't I say I saw something? Others do see! Besides who
can tell whether I saw anything or not?" flashed through Sonya's mind.

"Yes, I saw him," she said.

"How? Standing or lying?"

"No, I saw... At first there was nothing, then I saw him lying
down."

"Andrew lying? Is he ill?" asked Natasha, her frightened eyes
fixed on her friend.

"No, on the contrary, on the contrary! His face was cheerful, and he
turned to me." And when saying this she herself fancied she had really
seen what she described.

"Well, and then, Sonya?..."

"After that, I could not make out what there was; something blue and
red..."

"Sonya! When will he come back? When shall I see him! O, God, how
afraid I am for him and for myself and about everything!..." Natasha
began, and without replying to Sonya's words of comfort she got into
bed, and long after her candle was out lay open-eyed and motionless,
gazing at the moonlight through the frosty windowpanes.


CHAPTER XIII


Soon after the Christmas holidays Nicholas told his mother of his
love for Sonya and of his firm resolve to marry her. The countess, who
had long noticed what was going on between them and was expecting this
declaration, listened to him in silence and then told her son that
he might marry whom he pleased, but that neither she nor his father
would give their blessing to such a marriage. Nicholas, for the
first time, felt that his mother was displeased with him and that,
despite her love for him, she would not give way. Coldly, without
looking at her son, she sent for her husband and, when he came,
tried briefly and coldly to inform him of the facts, in her son's
presence, but unable to restrain herself she burst into tears of
vexation and left the room. The old count began irresolutely to
admonish Nicholas and beg him to abandon his purpose. Nicholas replied
that he could not go back on his word, and his father, sighing and
evidently disconcerted, very soon became silent and went in to the
countess. In all his encounters with his son, the count was always
conscious of his own guilt toward him for having wasted the family
fortune, and so he could not be angry with him for refusing to marry
an heiress and choosing the dowerless Sonya. On this occasion, he
was only more vividly conscious of the fact that if his affairs had
not been in disorder, no better wife for Nicholas than Sonya could
have been wished for, and that no one but himself with his Mitenka and
his uncomfortable habits was to blame for the condition of the
family finances.

The father and mother did not speak of the matter to their son
again, but a few days later the countess sent for Sonya and, with a
cruelty neither of them expected, reproached her niece for trying to
catch Nicholas and for ingratitude. Sonya listened silently with
downcast eyes to the countess' cruel words, without understanding what
was required of her. She was ready to sacrifice everything for her
benefactors. Self-sacrifice was her most cherished idea but in this
case she could not see what she ought to sacrifice, or for whom. She
could not help loving the countess and the whole Rostov family, but
neither could she help loving Nicholas and knowing that his
happiness depended on that love. She was silent and sad and did not
reply. Nicholas felt the situation to be intolerable and went to
have an explanation with his mother. He first implored her to
forgive him and Sonya and consent to their marriage, then he
threatened that if she molested Sonya he would at once marry her
secretly.

The countess, with a coldness her son had never seen in her
before, replied that he was of age, that Prince Andrew was marrying
without his father's consent, and he could do the same, but that she
would never receive that intriguer as her daughter.

Exploding at the word intriguer, Nicholas, raising his voice, told
his mother he had never expected her to try to force him to sell his
feelings, but if that were so, he would say for the last time....
But he had no time to utter the decisive word which the expression
of his face caused his mother to await with terror, and which would
perhaps have forever remained a cruel memory to them both. He had
not time to say it, for Natasha, with a pale and set face, entered the
room from the door at which she had been listening.

"Nicholas, you are talking nonsense! Be quiet, be quiet, be quiet, I
tell you!..." she almost screamed, so as to drown his voice.

"Mamma darling, it's not at all so... my poor, sweet darling," she
said to her mother, who conscious that they had been on the brink of a
rupture gazed at her son with terror, but in the obstinacy and
excitement of the conflict could not and would not give way.

"Nicholas, I'll explain to you. Go away! Listen, Mamma darling,"
said Natasha.

Her words were incoherent, but they attained the purpose at which
she was aiming.

The countess, sobbing heavily, hid her face on her daughter's
breast, while Nicholas rose, clutching his head, and left the room.

Natasha set to work to effect a reconciliation, and so far succeeded
that Nicholas received a promise from his mother that Sonya should not
be troubled, while he on his side promised not to undertake anything
without his parents' knowledge.

Firmly resolved, after putting his affairs in order in the regiment,
to retire from the army and return and marry Sonya, Nicholas, serious,
sorrowful, and at variance with his parents, but, as it seemed to him,
passionately in love, left at the beginning of January to rejoin his
regiment.

After Nicholas had gone things in the Rostov household were more
depressing than ever, and the countess fell ill from mental agitation.

Sonya was unhappy at the separation from Nicholas and still more
so on account of the hostile tone the countess could not help adopting
toward her. The count was more perturbed than ever by the condition of
his affairs, which called for some decisive action. Their town house
and estate near Moscow had inevitably to be sold, and for this they
had to go to Moscow. But the countess' health obliged them to delay
their departure from day to day.

Natasha, who had borne the first period of separation from her
betrothed lightly and even cheerfully, now grew more agitated and
impatient every day. The thought that her best days, which she would
have employed in loving him, were being vainly wasted, with no
advantage to anyone, tormented her incessantly. His letters for the
most part irritated her. It hurt her to think that while she lived
only in the thought of him, he was living a real life, seeing new
places and new people that interested him. The more interesting his
letters were the more vexed she felt. Her letters to him, far from
giving her any comfort, seemed to her a wearisome and artificial
obligation. She could not write, because she could not conceive the
possibility of expressing sincerely in a letter even a thousandth part
of what she expressed by voice, smile, and glance. She wrote to him
formal, monotonous, and dry letters, to which she attached no
importance herself, and in the rough copies of which the countess
corrected her mistakes in spelling.

There was still no improvement in the countess' health, but it was
impossible to defer the journey to Moscow any longer. Natasha's
trousseau had to be ordered and the house sold. Moreover, Prince
Andrew was expected in Moscow, where old Prince Bolkonski was spending
the winter, and Natasha felt sure he had already arrived.

So the countess remained in the country, and the count, taking Sonya
and Natasha with him, went to Moscow at the end of January.